The Newlyweds by Nell Freudenberger is about George, a White man in Rochester and Amina, a Bangladeshi woman in Dhaka who meet and “arrange” their own marriage through the power of online dating. While I thought this was an original premise, I had reservations about The Newlyweds from the outset. I thought, “oh no, not another arranged marriage saga. And this one is not even written by a person of South Asian origin. So, how authentic can it be?”
I prepared myself for rampant exotification and sensationalizing, which by the way, some South Asian and South Asian American authors are guilty of too. I was slightly comforted by the fact that the book cover eschewed the now over-used images meant to evoke South Asian exoticism: woman in a sari, woman’s hands or feet covered in intricate henna tattoos, or woman bedecked in copious amounts of 24 karat jewelry.
In reading the book, I was impressed by some of the authentic details that Freudenberger captured in terms of typical family dialogue, colloquial terminology, and descriptions of regional foods and customs. They were accurate to the essence without being overly explanatory, which is not an easy thing to do particularly if you’re from outside of the culture you’re writing about.
Some people I’ve talked to about this book found the title characters, George, and Amina, to be “flat.” In my mind, they were not flat so much as they were “square-ish.” They are largely average people, except for their high level of education, who have decided to squash any romantic notions they have about love in favor of searching for love and security as a packaged deal. Interestingly enough, Amina’s parents ran away together to get married and although George’s father is not in the picture, it’s unlikely that his parents had an arranged marriage. I actually think one of the great aspects of the book is that as the story evolves we watch these “square-ish” people begin to round out as they realize the complexities and complications of their relationship. There’s an interesting constellation of characters but most of them end up being a bit one-dimensional, serving mostly to directly or indirectly inform us about Amina and George.
In general, The Newlyweds is quite an original twist on the South-Asian-comes-to-America epic narrative because of its premise, which forces characters on both sides of the ocean to stretch in unique ways to navigate their new terrain. I especially appreciate that this book focuses on Bangladesh rather than India. My father is originally from Bangladesh but immigrated to India, where he met my mother. Lately, I’ve been thinking about how my Bangladeshi heritage has ended up being overshadowed by my Indian heritage in my own family and I think this is also true in literature. But this is slowly changing with the emergence onto the global scene of writers of Bangladeshi origin, like Tahmima Anam, author of A Golden Age and Taslima Nasrin, the controversial author of Shame.
My major gripe with this book is one that I have with several books: it introduces way too many key developments in the final 30-40 pages. This is problematic especially if it isn’t in-line with the pacing of the rest of the book. It leaves the reader feeling incredulous, flabbergasted, and a bit betrayed. You want to say to the author, “here I was, following you on this journey faithfully and then you jerked me around at the end.” I’ve tried to console myself by saying that Bangladesh is a place of extremes and unexpected outcomes – it’s regularly besieged by natural disasters such as cyclones and floods but it’s also given the world the groundbreaking Grameen Bank – so, perhaps almost anything is possible there.
The most fascinating part of the book for me, was in the Acknowledgements, where Freudenberger reveals that this book was inspired by a Bangladeshi woman she sat next to on a plane and how this woman’s story opened up a new world to her. On the whole, I’m glad for their serendipitous meeting and the book that it spawned.