Once again, a home run. The corruption of the criminal justice system is the central character, and the simple murder-suspect-conviction trope is undercut by the criminality of law enforcement at every level. Another dizzying, thrilling ride.
Bosch and Haller books, while ostensibly opposites---a detective and a defense lawyer---mine the same ground: corruption of the criminal justice system and the complexities of guilt and innocence. Is it justice if the cops engage in illegal activity to gain a guilty verdict when they are quite sure that the suspect is guilty. Is justice when the defense lawyer engages in deception and illegal ruses to acquit someone who he is not sure is guilty or innocent?
Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense"