Winner of the l996 National Poetry Series, judged and selected by William Matthews. "This collection of beguiling poems . . . takes as its avenue into experience the palpable, quotidian objects of the intimate environment. A barometer, an arrangement of flowers, a vase, a carpet, a pyramid of oranges in a city marketplace are seen and then entered as one might enter the action of a film. . . . There is something of the child's wondrous way of seeing the world that electrifies." ― Boston Globe "Jeanne Beaumont's poems are smart and full of feeling, heartbreakingly in love with the snares and clarities of the language she writes in, and lit throughout by a kind of wry wonder." ― William Matthews "How rare to discover so sly and disarming, so luminous and compelling a debut." ― David St. John
Jeanne Marie Beaumont grew up in the Philadelphia suburbs. She is the author of three previous collections of poetry: Burning of the Three Fires, Curious Conduct, and Placebo Effects, a winner in the National Poetry Series. She coedited The Poets’ Grimm: 20th Century Poems from Grimm Fairy Tales. She has taught at The Frost Place, Rutgers University, The Unterberg Poetry Center of the 92nd Street Y, and is on the poetry faculty of the Stonecoast MFA Program at the University of Southern Maine. Since 1983 she has made her home in Manhattan.
The wordplay didn't feel clever and the subject matter didn't feel unique or inspiring (I say "inspiring" in a creative sense, not in a spiritual sense, though I suppose one often begets the other). There were a few lines here and there worth rereading but for the most part I found this collection unremarkable. Also, there's no nice way to say it: the cover is awful.
This book was recommended to me, but now I'm not sure why. As individual poems, I was interested, but the collection didn't carry me between poems as much as I would have liked.