I, Minion tells the story of a great battle between the forces of good and an evil dark lord through the eyes of... well, a minion. Nameless at first, the protagonist is an undead foot soldier in a dark lord's army, re-animated by the lord's necromancer after foolishly trying to resist his invasion in the ranks of a peasant army. There are small medieval villages ripe for pillaging, and an army of brave druids and paladins with magic swords who wage a desperate last stand against the villain's conquest. If that sounds like it's full of tried and true (and, frankly, trite) fantasy tropes, it is, but quite deliberately so. Dix examines and lovingly satirizes those tropes through the unusual and darkly humorous point of view of an animated skeleton. But there's something not quite right about our minion, some lingering shred of humanity that questions his evil crusade in those quiet moments when the necromancer isn't directly controlling him to slaughter and burn. There's a character arc happening here, hindered as it is by the compulsion of the necromancer's commands and the obvious physical and cognitive limitations of someone who's mostly just bone and ligament.
Dix's writing is clean and fresh, with a hint of self-aware modernism in his protagonist's voice. The author squeezes some comic impact out of the novel point of view he explores while earnestly following the character's story to a rewarding--if slightly predictable--conclusion. We root for the minion as he starts to shake off the shackles of mindless servitude and strives, sometimes in vain, to resist the bloody commands of his superiors. The story is at its best when focused on the satirical take on the fantasy genre and I would have liked more of the slice-of-an-evil-minion's-life narrative that we get early on. As the character begins to regain his humanity, the story trends toward a more dramatic nature that is somewhat undercut by the very tropes Dix poked fun at in the first part of the book. I think Dix would have been better served to stick with his irreverent tone more as the story developed past the initial situation.
In spite of its faults, I, Minion punches above its weight, at least for me. The book is very short--maybe 25,000 words and coming in at 54 pages--with a neat piece of cover art by Sarah Sullivan. I found it a fun and humorous take on the fantasy genre, well worth a couple of hours of my time. Sadly, although the book promises a sequel (and his web site has a cover reveal for I, Dark Lord), it seems Mr. Dix has stepped away from writing and not pressed on with his Minion Chronicles. I hope he comes back to it someday. If I, Dark Lord is, as the title suggests, a take on things from the villain's perspective, I bet it will be just as fun to read as I, Minion.