La musique expliquee comme science et comme art: et consideree dans ses rapports analogiques avec les mysteres religieux, la mythologie et l'histoire de la terre, oeuvre posthume / Fabre d'Olivet; publ. par les soins de Rene Philipon...Date de l'edition originale: 1896Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.frhttp: //gallica.bnf.fr/ark: /12148/bpt6k65505h
Antoine Fabre d'Olivet (December 8, 1767, Ganges, Hérault – March 25, 1825, Paris) was a French author, poet and composer whose Biblical and philosophical hermeneutics influenced many occultists, such as Eliphas Lévi, Gérard Encausse - Papus and Édouard Schuré.
His best known works are on the research of the Hebrew language and the history of the human race entitled The Hebraic Tongue Restored: And the True Meaning of the Hebrew Words Re-Established and Proved by their Radical Analysis, and Hermeneutic Interpretation of the Origin of the Social State of Man and of the Destiny of the Adamic Race. Other works of renown are on the sacred art of music entitled Music Explained as Science and as Art and Considered in its Analog Relationship with Religious Mysteries, Ancient Mythology and the History of the Earth, and a translation and commentary of Pythagoras's thirty-six Golden Verses.
Avery interesting book about unknown aspects of music. I particularly like this: "Music is not merely, as is imagined today, the art of combining tones or the talent of reproducing them in the way most pleasant to the ear: that is the practical side from which result the ephemeral forms... Music regarded in its speculative aspect is, as the Ancients define it, the knowledge of the order of all things, the science of the harmonic relationships of the universe; it rests on immovable principles which nothing can alter." I highly recommend this book.