The basic idea here is that violations of the ten commandments run sequentially, book by book, from Exodus through Kings, a commandment per book. This shows, to readers living in Exile, that the Exile was the result of breaking the covenant embodied in the ten commandments (or better, ten words) — AND shows that the final redactor of these documents gave us a consciously crafted, unified composition.
The pros are — Freedman writes well, and this book is evidently for a lay audience. If he teaches like he writes, he'd have been great in the classroom (Freedman passed away a few years ago). He makes a good case for showing the accumulation of covenant violations leading up to the Exile. And he brings in a number of interesting subsidiary subjects, making for a good read (and a good ride).
The cons — I'm not much of one for hearing things like "this is the first time anyone has ever noticed this in the Bible," a claim which Freedman repeats in one form or another several times. As the trend in biblical studies has continued to emphasize literary artistry and the "final canonical shape" of the text, we are sometimes given several possible unifying factors that supposedly tie the Bible, or significant parts of it, together. After a while one wonders if they can all be due the skill of the "redactor," who must indeed have been a literary supergenius for weaving together such a variety of unifying features. One also wonders about the human ability to find patterns where they do not exist (seen at its worst in the "Bible code" books).
In short — a lot of great material in this engaging volume. The illustrations of the covenant violations are compelling, and Freedman's reading of the number "10" as a kind of number of finality is thought-provoking (thought challenged by reviewers). I am not sure, though, that the unifying threads Freedman finds are those of the redactor rather than of Freedman himself and his co-authors.