Analyzes the relationship between art and religion through a series of poems by such diverse voices as Emily Dickinson, Flannery O'Connor, and Michelangelo.
Bradley’s MO is not unlike that of many of his peers: fairly lean, sometimes disjunctive prose broken into generally non-metrical lines. But his frequent subject—religion and the spiritual life instead of life as a suburban parent and partner or as a creative writing professor—makes his content broader and mostly less solipsistic than the norm.