Poetry. What is most wonderful about this enormously impressive collection of poems of George Bilgere is the sustained excellence of poem after poem, with never a false note. The reader's expectations are quickly raised high, and never disappointed. This alone would make the book remarkable, but its riches are of many kinds. In its fine evocations of American settings, its vivid portraits of vanished lives, human and non-human, its celebratory delight in language brilliantly deployed, it seems to me a landmark -- Anthony Hecht. George Bilgere won the Devins Award for his first collection, THE GOING, and his work has appeared in many magazines, from Poetry and Field to Shenandoah and The Sewanee Review.
Billy Collins once commented that poet George Bilgere "has shown that imaginative wonders and deep emotional truths can be achieved with plain, colloquial American speech." Bilgere has done so in his six collections of poetry, most recently "Imperial" (Pitt Poetry Series). His numerous awards include the May Swenson Poetry Award and a Pushcart Prize. A professor of English at John Carroll University in Cleveland, he is also host of the public radio program WORDPLAY, an offbeat mix of poetry and comedy.
I really enjoyed this collection of poetry by George Bilgere, to whom I believe I was introduced through Garrison Keillor's Good Poems.
Bilgere has a distinctly modern voice, and his poems - while loaded with rich, sensual imagery - are very approachable, because the subject matter is relatable: musings while dining at a Mexican Restaurant, finding a forgotten bra at a laundromat or, one of my favorites, "Solstice," about Sears employees.
Here is a sample from "Buying a Touchtone" that illustrates the type of imagery that runs throughout Bilgere's work:
... And in the last days of her cancer, when her body had begun to implode like a pumpkin sagging at the center, her voice never hollowed out with fear but carried across the country, strong and cynical as ever in my ear ...
There are so many excellent poems in Big Bang, but here is one of my favorites in its entirety:
Coda
They come in waves, the flat boxes of Brahms, Mozart, Delius, Stravinsky, everything from Bartok to Ralph Vaughan Williams arriving every day as my aunt jettisons vinyl -- Going CD, she says, but mostly getting old, the packed honeycomb of her apartment turning light and empty as a seashell that holds the sea's absence, as spare as the few Gregorian chants she's held on to.
When the time comes I'll find she's left a space both tidy and bone-dry, everything boxed and dated, her old letters and photographs named and sorted like specimens in her clinical hand. The closets and drawers where she kept the life she never showed me will be empty as wave-scoured beaches.
Meanwhile I let the needle settle in its easy groove, sliding down the dark whirlpool of music toward that spindled silence in the center, where nothing moves.
Finally! I've been searching for a new poet who wrote with a certain passion, and a strong but gentle handle of language. George Bilgere writes the poetry I have been wanting so badly; his writing is both beautiful and ornate, yet still accessable. A must-read author for poetry lovers.