There are two books called Original Blessing: this one first published in 1983 and a newer one by Danielle Shroyer. Though quite different in content, both propose a contrary viewpoint to the doctrine of original sin. They focus on humanity's originary and fundamental state as blessed rather than corrupt. This different emphasis paints a different picture of God as blessing and generative rather than judging and wrathful.
Scandal! So scandalous in fact that Matthew Fox's ideas about this, and some other things as well, got him excommunicated from the Catholic Church. His chief nemeses in this were Cardinal Joseph Ratzinger (the guy who became the pope before the current one... Anthony Hopkins in the recent film) and Fox's own Dominican order. He protested against Catholic doctrine and ended up where such protesters end up... in the Protestant church. He's now safely enconsed as an Episcopalian (Anglican) priest.
Fox's Original Blessing is subtitled 'A Primer in Creation Spirituality' - Creation Spirituality being a panentheistic view of the cosmos - i.e. though creation is not God (as in pantheism), God is present in and through creation. It really takes seriously the idea that we live and move and have our being in God, the idea of a wider incarnation and the old theological idea that nature is the first scripture. Fox's perspective takes things quite far from orthodoxy in places (I have at least a small amount of sympathy for Ratzinger), he repurposes sources, and is sometimes strangely combative, which seems to run a little counter to the essence of the message (though Fox would see this as a necessary battle against a damaging ideology). But by and large I'm down with the gist and structure.
In my reading journeys, I had heard mention of the intriguing terms via positiva, via negativa, via creativa and via transformativa, and, interest strongly piqued, had traced them to this book. That's how I ended up here and I wasn't disappointed on that front - they are wonderful terms for making sense of the spiritual/existential journey; a superb framework with or without the specifics of the theological material that Fox contains in it. I've already begun exploring them further. I treasure the book for that - and for the high value Fox puts on creativity.
Briefly, via positiva is knowing God through presence, addition, abundance, sound, celebration and joy (typologically: creation, incarnation). Via negativa is knowing God through absence, subtraction, the dark night of the soul, silence, lament and sorrow (crucifixion). In other words, there is no existential space in which God cannot be known. Via creativa (resurrection) is the dialectic of via positiva and via negativa - creativity born of these two together, or resulting from holding these two in tension and knowing them both. Via transformativa (Pentecost, eschaton) is the action of creativity for real systemic and paradigmatic change in the world - the Kingdom of Heaven. Did I mention how much I love this?
Fox proposes the fourfold framework as an alternative to the teaching of orthodox Catholicism with regard to the spiritual pathway of purgation, illumination and union. For mine, purgation is always going to be the most conceptually problematic of those stages - the idea that sinfulness is 'burnt' off us and our flesh put in its place through suffering. It has resulted in ideas such as Purgatory and deliberate acts of mortification. Via negativa is a much more nuanced, more psychologically sound and existentially compelling way of dealing with suffering, I think, with regard to interrelating with the divine. For one thing, in the via negativa suffering finds a greater companionship in Christ - it is not wretched humans that suffer but rather God, Godself and us in fellowship with that.
Fox recruits an array of thinkers, movements and belief systems (a 'deep ecumenicism') to create an overall picture of a tradition and emergent paradigm of creation spirituality. I'm not sure all these would have signed up willingly or endorsed all his conclusions, but the book seems to have been influential, and the vision he sets forth is often compelling.
Fox is a huge fan of the German (Rhineland) mystics of the Middle Ages: Hildegarde of Bingen (whose artwork graces the cover of the book), Mechthild of Magdeburg and in particular Meister Eckhart (the subject of Fox's doctoral thesis). These mystics are the mainstay of his ideas, and amongst many other things, he apparently draws the fourfold pathway that I love so much from Eckhart's thinking. I still can't gel with Eckhart in general. So far, his statements too often don't ring true for me... But as I've said in a previous review, I often find myself liking the writings of people who have been influenced by him.
Fox speaks against dualities, either/or, in favour of dialectics, both/and, in a Hegelian (I think) kind of way... what Richard Rohr (who describes Fox as a personal friend - you can see their interflow of ideas) would call 'third way thinking'. Whenever you find yourself in an either/or paradigm, faced with choosing between just one of two options, look for a third possibility, which can be born in that space. This is creativity, it allows for the holding of tensions and paradox in a deeply meaningful and generative way.
Interestingly, Fox sets up a clear duality (explicitly charting it at the back of the book) between fall/redemption theology and creation spirituality, between original sin and original blessing... so thereby seeming to go against one of his own central tenets. He defends himself on this at one stage in the book. But what might happen if we formed a dialectic between original sin and original blessing? That could be very interesting indeed, if it's possible. Perhaps it's nearer the truth. Both/and without an over-obsession with either. Fox is all about beauty; redemption is one of the most beautiful concepts I know. It is, to my mind, the epitome of via creativa. And actually, in effect, this is where Fox lands with the via transformativa.
The via transformativa is Fox's eschatological vision, the prophetic imagination (Walter Brueggemann is referenced in the book) employed to envisage what the outcome of the dialectic of via positiva and via negativa leading to via creativa might look like.
It's a provocative book in the best sense. There aren't many like this that elicit such a dynamic array of positive and negative reactions leading to so many thought journeys and, yes, possibly even transformation in some kind of way.