The Manual of Museum Exhibitions is a practical, hands-on, comprehensive guide to the entire process of planning, designing, producing, and evaluating exhibitions for museums of all kinds. Conceived, organized, and edited by Gail and Barry Lord, this invaluable book includes contributions by masters of each step in the complex art of museum exhibition-making. Subjects range from traditional displays of art, artifacts, and specimens from the permanent collection to the latest developments in virtual reality, online exhibitions, simulators, and big-screen reality. An exciting array of stimulating case studies featuring outstanding museum exhibitions from both sides of the Atlantic makes this manual all the more valuable to practitioners and students of the museum profession, architects, designers and the many specialized contractors involved in 21st-century exhibitions. The book is also useful and interesting reading for museum Trustees and Board members, volunteers, and all others who understand and enjoy the educational value of today's museum exhibitions. The Manual of Museum Exhibitions is particularly remarkable for its comprehensive scope, including evaluation processes, exhibition gallery requirements, and practical methods for each step in the planning, design, production, and project management of exhibitions. The final chapter surveys contemporary developments and presents a particularly impressive group of case studies that suggest possible directions for museum exhibition development in the new millennium. The Manual of Museum Exhibitions is a practical, hands-on, comprehensive guide to the entire process of planning, designing, producing, and evaluating exhibitions for museums of all kinds. Conceived, organized, and edited by Gail and Barry Lord, this invaluable book includes contributions by masters of each step in the complex art of museum exhibition-making. Subjects range from traditional displays of art, artifacts, and specimens from the permanent collection to the latest
Barry Lord is internationally known as one of the world's leading museum planners. Based in Toronto but working globally, Barry brings over fifty years of experience in the management and planning of museums, galleries and historic sites to the hundreds of projects he has directed. With a B.A. in Philosophy from McMaster University followed by graduate work at Harvard University's Center for the Study of World Religions, Barry co-founded Lord Cultural Resources with his wife Gail Lord in 1981. Together they edited and wrote the world's first book on the subject, Planning Our Museums (1983) and three editions of The Manual of Museum Planning (1991, 1999 and 2012). Barry also co-authored The Cost of Collecting (1989) and The Manual of Museum Management (1997; 2nd edition, 2009), co-edited two editions of The Manual of Museum Exhibitions (2002 and 2014), and edited the first edition of The Manual of Museum Learning (2007). Barry co-authored Artists, Patrons, and the Public: Why Culture Changes with Gail in 2010. His most recent book, Art and Energy: How Culture Changes was published by the American Alliance of Museums in 2014.
This is definitely a manual and not meant for cover-to-cover reading, but more as a reference for future museum work. However, mainly for the ideal and not the reality.