Patrick McCabe, whom the San Francisco Chronicle called "one of the most brilliant writers ever to come out of Ireland," presents another compelling novel of small-town Ireland that leaves its indelible mark on the canon of classic fiction. Carn is the story of two women; Josie Keenan, who returns to Carn, Ireland, the provincial hometown she once left behind, and Sadie Rooney, a factory worker who dreams of leaving. As the two women strike up a friendship--fueled by hopes to better their lives, yet inextricably tied to the tenuous fate of Carn--each must confront the hard truths of her past and future. And despite its own attempt to thrive, the town itself cannot escape the daily reminders of Ireland's endless legacy of violence and unrest.Written in the raw, unsparing prose that marks McCabe's fiction, Carn is the timeless story of a small town struggling to break away from its bleak past, and the lives of two women aching to escape the forces that shaped them.
Patrick McCabe came to prominence with the publication of his third adult novel, The Butcher Boy, in 1992; the book was shortlisted for the Booker Prize in Britain and won the Irish Times-Aer Lingus Prize for fiction. McCabe's strength as an author lies in his ability to probe behind the veneer of respectability and conformity to reveal the brutality and the cloying and corrupting stagnation of Irish small-town life, but he is able to find compassion for the subjects of his fiction. His prose has a vitality and an anti-authoritarian bent, using everyday language to deconstruct the ideologies at work in Ireland between the early 1960s and the late 1970s. His books can be read as a plea for a pluralistic Irish culture that can encompass the past without being dominated by it.
McCabe is an Irish writer of mostly dark and violent novels of contemporary, often small-town, Ireland. His novels include The Butcher Boy (1992) and Breakfast on Pluto (1998), both shortlisted for the Booker Prize. He has also written a children's book (The Adventures of Shay Mouse) and several radio plays broadcast by the RTÉ and the BBC Radio 4. The Butcher Boy and Breakfast on Pluto have both been adapted into films by Irish director Neil Jordan.
McCabe lives in Clones, Co. Monaghan with his wife and two daughters.
Pat McCabe is also credited with having invented the "Bog Gothic" genre.
I enjoyed "Carn" quite a lot. McCabe starts several story threads then weaves them together to tell the story of small town on the northern border of Ireland spanning the 1950s to the 1970s. The characters are well composed, especially the female characters, and the pain and small joys of their mutual existence are carefully crafted, drawing in the reader. In turn, each major character dares to hope for something better than life in Carn, or for a better life in Carn. Fate, however, has other ideas. I do recommend this book, primarily because of the character development and the snapshot glimpses into life in smalltown Ireland during a tumultuous era. It reads rather quickly and McCabe certainly doesn't drone on or pontificate. He just lays it our there for you digest and consider.
This early McCabe work is different from his more recent stuff. Its focus is small-town Ireland, but as a mirror to wider events, from the 1960s onwards. Identities are formed, loyalties defined, dreams shattered. Everyone is damaged, but there is a variety of leading characters that sets this apart from later McCabe works, which tend to inhabit the unhinged minds of a single protagonist.
I liked the way this started by flinging you in at the deep end. Each chapter seemed largely unconnected to the one before - feeling almost like a short story collection. Until after a handful of chapters people started to reappear.
A well told tale with a great sense of things coming full circle by the end. Well handled different character types. And a genuine sense of tension as the climax approached.
The town of Carn is dying. The inhabitants just don't know it yet. The decline is witnessed by both Josie Keenan, a perpetual outsider and fallen woman, and Sadie Rooney, who has dreamt of leaving all her life.
McCabe sets his scene quickly and confidently, relying on readers' recollections of an Ireland fading even at the time of writing. He captures that strange pride and hypocrisy which was often present and always ignored in small town life.
Such a great story that displays how uniform and uncontrollable life and places can be, great anecdote about how political views can be rapidly changed based on things that are not wholly accurate