The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.
* Learn how to strengthen your story and engage your audience through the editing process * Examples, analysis, and film stills from great movies * Includes a new chapter on the impact of documentaries
Ken Dancyger is the author or co-author of seven books on screenwriting, directing, film editing and production. They are The Technique of Film and Video Editing (5th edition), Focal Press, 2010; The Director's Idea, Focal Press, 2006; Alternative Scriptwriting (4th edition), Focal Press, 2006 (with Jeff Rush); Writing the Short Film (3rd edition), Focal Press, 2005 (with Pat Cooper); Global Scriptwriting, Focal Press, 2001; The World of Film and Video Production, Harcourt Brace, 1999; Broadcast Writing, Focal Press, 1991. Each is a theory/practice book rather than a how-to book. There have been fourteen translations of his books, including Chinese, Portuguese, Italian, Spanish, Korean and Arabic. Two of his books, Alternative Scriptwriting and The Technique of Film and Video Editing are considered definitive in their respective areas and are core texts at top film programs worldwide.
Ken conducts screenwriting and post-production workshops internationally for the past eighteen years, including South Africa, The Netherlands, Germany, Switzerland, Portugal, Belgium, the United Kingdom, Columbia, Singapore, Australia and Canada. He is active as a script consultant in the United States and throughout Europe and Asia.
Ken is past Chair of Undergraduate Film and Television, TISCH School of the Arts, New York University, where he is a Full Professor.
Current writing projects include a book about Genre Scriptwriting, a book entitled The Greatest: Hollywood in 1939, a personal memoir, The War That Never Ended and Murder Not Permitted, his first novel. ______________________________________________________ EDUCATION: B. Comm., M.A., Toronto; M.S., Boston _____________________________________________________
Kind of interesting, but really, it didn't focus as much on editing techniques as it did in director's choices and storytelling I was a bit disappointed. Also too theoretical as I feel I could dispute quite a few of his points.
NOT RECOMMENDED. Disappointed with this book. This has very little about editing. In fact, I got only 20 pages of useful information about editing from this book.
The author meanders so much! When he writes 3 pages about a film, he spends *all* of it talking about the story, the screenplay, the framing, the photography, etc etc that he barely inserts a paragraph about the actual editing in the scenes and how it gives the desired emotional impact.
Sometimes, he describes a film for 3 pages and then adds "Here the director didn't use editing techniques for emotional impact" WHY DID YOU TALK THIS LONG ABOUT THIS FILM THEN?
Also, no screenshots of the shots that he describes! WHAT IS THE POINT?
The Technique of Film and Video Editing by Ken Dancyger is a must-read for anyone interested in the art and history of editing. It covers everything from early film techniques to modern digital workflows, offering both practical advice and deep theoretical insight.
Whether you're a beginner or experienced editor, this book helps you understand how editing shapes story, rhythm, and emotion. It’s especially useful if you're working on digital content, short films, or even mobile videos.
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Dancyger's The Technique of Film and Video Editing is an invaluable resource for both beginners and seasoned editors. It delves deep into the art and science of editing, offering clear explanations and practical examples. Whether you're editing narrative films, documentaries, or music videos, this book provides foundational knowledge that enhances storytelling through editing.
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This book is a cornerstone for anyone serious about filmmaking and post-production. What I appreciate most is how it doesn’t just focus on the technical side of editing, but also dives deep into the art, history, and theory behind storytelling choices. The analyses of both classic and modern films really help put editing into perspective, showing how each cut shapes meaning and emotion. Dancyger balances theory with practice in a way that makes the book useful not only for students but also for working editors looking to refine their craft. by JohnWick5656
This book sounds like a solid resource for anyone studying the craft of editing. The evolution from traditional film editing to digital and nonlinear workflows really shows how much storage and accessibility matter for editors today. For those working on older systems or looking for a lightweight solution to manage large media files, the Terabox Old Version can be really useful since it offers cloud storage without demanding heavy resources, making it easier to store and access editing projects on the go.
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Great insights on The Technique of Film & Video Editing. I like how the book not only talks about theory but also connects it with modern editing practices. As someone experimenting with mobile editing apps, I found that tools like No watermark Alight Motion Mod APK also make it easier for beginners to practice transitions, effects, and storytelling techniques without worrying about watermarks. Thanks for sharing such a useful review!
It's a great book if you are looking for the techniques for filming and video editing. It provides depth knowledge about the history, theory and the practice as well. I personally loved it after the section 2. I practiced to edit my cricket videos.
Its an great book for those who are looking for the basics to make their grip stronger in video editing. I have read this and learned a lot from it by implementing it on freehit eu.
A very insightful book that explains the art of editing with clear examples and techniques. Also found remini online free download helpful for enhancing visuals alongside my projects.
It was somewhat interesting, but I found it focused more on the director's decisions and narrative elements than on actual editing techniques, which was disappointing. It also leaned heavily into theory, and I felt like several of the arguments could be challenged. https://spotipremiiumapk.com/
This entire review has been hidden because of spoilers.
While editing is not the focus of my work, this proved a useful book that helped me understand what happens after the story happens. Much respect to all you editors out there!
Al final se hace muy pesado. Es muy descriptivo y no acaba de dar ninguna conclusión general. Está fatal traducido (he llegado a ver traducido "success" por "suceso".
for those who want to know the basics of the video editing can checkout the techniques from this book. I repeat, just basics not proper advanced techniques.
The first and possibly biggest issue with this book is that there are almost no images illustrating whatever topic or scene is at hand, a choice justified by the author thanks to "the advent of the VCR" (p. xxiii). The problem is that a typical page quotes 2-3 different movies. Assuming you do have the hundreds of movies at home, it is unlikely that you will put down the book every other paragraph to browse through the entire film---because, as it happens, Dancyger also felt it unnecessary to include the time where you could find the scenes discussed. Honestly, I don't believe he really expects you to turn to the film.
As a result, the book is primarily dedicated to describing what you cannot see, rather than analyzing what it could have partly shown you (as in more "traditional" or intelligent books). Now, here comes the second issue: the descriptions remain frustratingly general for a book claiming not just to focus on "editing" but on the "technique" of editing. A lot of the text is dedicated to general information about the films quoted and their directors or a paraphrase of the scenes discussed, which would have been OK had you gotten a lot of new and powerful insights about them, except that (in general) you don't .
The pages dedicated to editing in a good general book (e.g. How Movies Work), while of course shorter, will certainly make for a more exciting read. Here, you may learn some stuff if you manage to read the whole book despite its flaws, but chances are you will be wishing, like me, that the whole text had benefited from serious editorial work (no joke intended), both at high level and at the level of the writing itself, which tends to be vague and weak.
When I became interested in video editing everything about it became totally fascinating to me. And this was just the jamb packed kind of reference that appealed to me then.
This tome covers a broad swatch of film making history and more of a 'why' book than a 'how' book.
Motion pictures offer an amazing breadth of story telling abilities and this book exhaustively covers what has already been done.