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Feiffer's Children

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Brings together the noted cartoonists works involving children, including the classic "Munro" and providing a sardonic view of American childhood since the late 1950s, from infancy to adolescence

Paperback

First published April 1, 1986

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About the author

Jules Feiffer

143 books194 followers
Jules Feiffer was an American cartoonist, playwright, screenwriter, and author whose work left a significant imprint on American satire and cultural commentary. Emerging from the postwar era of newspaper comics, he first gained recognition through his long-running comic strip published in The Village Voice, where his loose, expressive line drawings and psychologically sharp dialogue captured the anxieties, contradictions, and social performances of contemporary life. Feiffer used humor to critique politics, relationships, and everyday neuroses, developing a voice that felt conversational, self-aware, and deeply engaged with the shifting cultural moods of the United States. His graphic style, which often emphasized gesture and tone over detailed renderings, was equally distinctive, and helped expand the visual vocabulary of editorial and literary cartooning. Beyond his cartoons, Feiffer became an accomplished writer for stage and screen; his play Little Murders offered a darkly comic exploration of violence and alienation in urban America, while his screenplay for Mike Nichols’s film Carnal Knowledge drew widespread attention for its unflinching examination of intimacy and desire. Feiffer also wrote children’s books, including the popular The Phantom Tollbooth, for which he provided the illustrations that helped establish the book’s imaginative visual identity. He demonstrated an enduring commitment to making art accessible, engaging with students and general audiences alike through teaching and public appearances, and continued producing work across multiple genres throughout his life. His comics and writings were often autobiographical in spirit, even when fictionalized, providing commentary on his experiences growing up in New York and moving through decades of cultural change. Feiffer received numerous honors for his contributions to American arts, including major awards recognizing his innovation in cartooning, his influence on graphic storytelling, and his impact on theater and film. His later work included longer-form graphic novels and personal memoirs, reflecting on childhood, family, and the evolution of his artistic voice. Feiffer remained an active and inquisitive creator well into his later years, consistently exploring new creative forms and responding to contemporary political and social issues. His legacy is seen in the work of generations of cartoonists and writers who drew inspiration from his willingness to bring emotional depth, social critique, and literary ambition to comics and satire. Feiffer’s work stands as a testament to the power of humor to illuminate the complexities of human behavior and the cultural forces that shape everyday life.

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Profile Image for Orion.
398 reviews31 followers
June 21, 2014
Feiffer's Children was published in 1986, the year Jules Feiffer won the Pulitzer Prize for Editorial Cartooning in The Village Voice. It is a collection of his one page cartoon strips on children and parenting. Each comic strip takes up one page of and includes 6-10 frameless panels of his line-drawn black and white characters. One reviewer wrote that Feiffer writes of "the postwar Age of Anxiety in the big city." Be prepared for page after page of hilarious looks at anxious urban children and parents.

Included is his classic anti-war short graphic story Munro which was made into a film that won the Academy Award for Animated Short Film in 1961. Wikipedia described Munro as "a rebellious little boy who is accidentally drafted into the United States Army. No matter which adult he tells "I'm only four", they all fail to notice his age."

The book ends with "Movie-Child: An Afterword" which is a three page autobiographical sketch on Feiffer's growing up in a poor Jewish family in the Bronx. He talks about how his only escape from the dark, dingy and dangerous world around him was the movie house three blocks from his home. His heroes were Shirley Temple, Douglas Fairbanks, Henry Fonda, James Cagney, John Garfield, and Mickey Rooney.
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