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Jack and the Devil's Purse: Scottish Traveller Tales
Devil stories are always fascinating, entertaining and disturbing. These twenty tales, re-told by one of Scotland's master storytellers, are a fascinating insight into Traveller beliefs about evil, temptation and suffering in which the Devil exists not to punish, but to outwit you in a contest of intelligence and knowledge. This collection is an expanded edition of Duncan Williamson's best-selling May the Devil Walk Behind Ye!, originally published by Canongate.
216 pages, Paperback
First published April 1, 2011
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About the author
Duncan Williamson
39 books18 followersDuncan James Williamson was a Scottish storyteller and singer, and a member of the Scottish Traveller community. The Scottish poet and scholar Hamish Henderson once referred to him as "possibly the most extraordinary tradition-bearer of the whole Traveller tribe."
Williamson is reputed to have been born in a bow-tent on the banks of Loch Fyne, near the village of Furnace in Argyll, to Jock Williamson and Betsy Townsley, and was one of 16 children. He learned his repertoire of stories and songs from family, and other members of the Traveller community. His illiterate father was a basketmaker & tinsmith, and insisted that his children get an education, sending Williamson to school in Furnace. Like other Scottish travellers, the Williamson family lived in a fairly large tent during the winter months and took to the roads for the summer, walking from camping place to camping place and picking up seasonal work as they went. At age fourteen, he was apprenticed to a stonemason and dry stane-dyker. A year later, he left home with an older brother, travelling all over Argyll and Perthshire. He worked as a farm labourer, and later as a horse dealer. He was married to his first wife, Jeannie Townley (a distant cousin) in 1949 and had seven children together. Jeannie died in 1971.
On 22 February 1977, Williamson married the American-born musicologist/folklorist Linda Headlee, with whom he had two children. For the first four years of their marriage they lived in a tent, following which they lived in a cottage in Fife. It was largely through her that Duncan came into demand as a storyteller in Scottish schools, as well a featured performer at storytelling festivals both in the UK and abroad.
Williamson's life on the road in his teens and as a young married man is recounted in his oral autobiography, The Horsieman: Memories of a Traveller 1928-1958. From early on he developed a zest for storytelling as well as a love for the conviviality that attends "having a crack" (trading talk with friends or companions). His repertory of songs and stories continued to expand throughout his life, particularly after he gained entry to the world inhabited by folklorists by taking part in Scotland's folksong and storytelling revivals during the 1960s, 1970s, and 1980s.
In 1967 Williamson met the travellers' rights activist Helen Fullerton, a collector of traditional folktales, who had previously recorded his mother and siblings in 1958. Fullerton told another collector, Geordie MacIntyre, about Williamson, with MacIntryre making further recordings, also in 1967. In 1968, Williamson performed at the Blairgowrie Folk Festival.
Thanks chiefly to Linda's skill in editing his tape-recorded performances, a number of Duncan's stories came into print during his lifetime. A few audio recordings of his songs and stories have been issued commercially as well. Many more recordings remain in storage in personal or public archives, including the Sound Archive of the Department of Celtic and Scottish Studies at the University of Edinburgh and the Archive of Folk Culture at the Library of Congress, Washington DC.
Williamson's talents as a storyteller are celebrated in several books written by specialists in Scottish tradition and the art of oral narrative.
Williamson is reputed to have been born in a bow-tent on the banks of Loch Fyne, near the village of Furnace in Argyll, to Jock Williamson and Betsy Townsley, and was one of 16 children. He learned his repertoire of stories and songs from family, and other members of the Traveller community. His illiterate father was a basketmaker & tinsmith, and insisted that his children get an education, sending Williamson to school in Furnace. Like other Scottish travellers, the Williamson family lived in a fairly large tent during the winter months and took to the roads for the summer, walking from camping place to camping place and picking up seasonal work as they went. At age fourteen, he was apprenticed to a stonemason and dry stane-dyker. A year later, he left home with an older brother, travelling all over Argyll and Perthshire. He worked as a farm labourer, and later as a horse dealer. He was married to his first wife, Jeannie Townley (a distant cousin) in 1949 and had seven children together. Jeannie died in 1971.
On 22 February 1977, Williamson married the American-born musicologist/folklorist Linda Headlee, with whom he had two children. For the first four years of their marriage they lived in a tent, following which they lived in a cottage in Fife. It was largely through her that Duncan came into demand as a storyteller in Scottish schools, as well a featured performer at storytelling festivals both in the UK and abroad.
Williamson's life on the road in his teens and as a young married man is recounted in his oral autobiography, The Horsieman: Memories of a Traveller 1928-1958. From early on he developed a zest for storytelling as well as a love for the conviviality that attends "having a crack" (trading talk with friends or companions). His repertory of songs and stories continued to expand throughout his life, particularly after he gained entry to the world inhabited by folklorists by taking part in Scotland's folksong and storytelling revivals during the 1960s, 1970s, and 1980s.
In 1967 Williamson met the travellers' rights activist Helen Fullerton, a collector of traditional folktales, who had previously recorded his mother and siblings in 1958. Fullerton told another collector, Geordie MacIntyre, about Williamson, with MacIntryre making further recordings, also in 1967. In 1968, Williamson performed at the Blairgowrie Folk Festival.
Thanks chiefly to Linda's skill in editing his tape-recorded performances, a number of Duncan's stories came into print during his lifetime. A few audio recordings of his songs and stories have been issued commercially as well. Many more recordings remain in storage in personal or public archives, including the Sound Archive of the Department of Celtic and Scottish Studies at the University of Edinburgh and the Archive of Folk Culture at the Library of Congress, Washington DC.
Williamson's talents as a storyteller are celebrated in several books written by specialists in Scottish tradition and the art of oral narrative.
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Displaying 1 - 2 of 2 reviews
October 27, 2017
An anthology of spooky tales collected by the late, great storyteller Duncan Williamson from all over Scotland. Most tales revolve around the Devil, who is more of a trickster figure in the folklore of the traveling people. There is also a sprinkling of tales about ghosts and witches. Great reading for the Halloween season or for reading around the campfire in summer!
November 3, 2018
Share a pipe with an old rascal as you listen to tales of folk caught up in mischief, of which my favourite is The Devil's Coat, in which a good, but poor, man finds a fine black coat on a bridge and, night by night, takes to becoming a mean man, much to the concern of his wife.
There are many tales of foolish young Jack trying to better himself in all the wrong ways, enlisting the help of wise old ladies who keep chickens by the sea and chasing down mermaids that they really ought not to be getting themselves hooked on. It contains a wee glossary of regional and archaic words for the better entertainment of folk who live south of the border.
There are many tales of foolish young Jack trying to better himself in all the wrong ways, enlisting the help of wise old ladies who keep chickens by the sea and chasing down mermaids that they really ought not to be getting themselves hooked on. It contains a wee glossary of regional and archaic words for the better entertainment of folk who live south of the border.
Displaying 1 - 2 of 2 reviews