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160 pages, Paperback
First published March 24, 2005

Kudo’s paintings are suffused with the special connection that youngsters often feel for animals, triggering a host of memories and emotions – a connection that isn’t so one-sided.
Kudo’s compositions, which she calls “chaotic”, follow the playful logic of dreams, where the various parts fit together according to a pattern that is beyond the conscious mind.


The perennial themes of these writers are common topics of science fiction in general and are also present in Takano’s manga and drawings: alternate states of reality, the destruction of the natural environment, the survival of such devastation, the quagmire of sexuality, cultivation of technology, and the exploitation of untapped human capabilities, such as telepathy.
Although Takano’s work has its thematic roots in science fiction, the sinewy nymphs and gentle acrylic washes of her work intimate other channels of stylistic inspiration. Takano notes, “Even though I am inspired by science fiction, the times I draw best are when I draw intuitively.”



Murase denies that death is an intended theme in her work, and talks instead of the senses. “Water is a continual element, certainly. I often use the image of a pool, or a drum of water, or a bath. Something without current. It envelops you quietly, filling your senses once you are inside. Recently, though, [in my work] there is some slow motion, like a washing machine starting to move, like the flow of hair, or the shimmy of a skirt. Actually, it doesn’t have to be water. It could be anything. Fog, cloud, ocean. Something that is slightly chilly and damp.”