"She sat there with her heart inside her bleeding happiness like a great big plum oozing gold juice in the hot darkness after the sun goes down."
Robert Penn Warren's penultimate novel, "Meet Me in the Green Glen," travels down one of those crossroads you sometimes find in novels, where the story takes a sharp turn and nothing's the same thereafter. "Green Glen" is much the better for that turning point.
This story centers around Cassie Spotwood, a 42-year-old Tennessee woman married to an older man who's now an invalid, and three men in her orbit who seem obsessed with her to various degrees. The arrival of an Italian ex-con, Angelo Passetto, who wanders in to help Cassie around the place as a sort of live-in handyman, leads to a tragedy and a mystery. Cy Grinder is a neighbor in this rural area; he and Cassie had a brief but uneventful romantic relationship when they were young. Murray Guilfort is a lawyer friend of Cassie's husband who brings her occasional money and also has an attraction to Cassie. Then there's a young woman of mixed race whom Angelo dogs until she submits to him — even as Angelo and Cassie are hooking up. That young woman's mother had an affair with Cassie's father. So there are ties and interweavings among these relationships, which Warren explores adequately in the book's first half and beyond.
Still, Angelo's comings and goings around Cassie's house — being intimate with Cassie and the other woman — are low-key and monotonous for the reader. I couldn't help wondering whether, though Warren's writing was still generally potent, he hadn't blown it from not knowing where to go with the tale. I needn't have worried. The turning point — a death — brings a trial, whose occurrence and aftermath bring a needed sense of depth to the previously rather static characters, passion to the story and, most of all, momentum.
Things change as characters begin to think outside the box of "now."
"Just keep now in your head," a character says. "A man can stand anything if it is only just that second. If a man just keeps now in his head, there ain't nothing else."
Everything is sharper and deeper in the final 40 percent of the book, as if Warren suddenly had worn bare the ground his characters had been treading on and found new, more interesting surroundings for them to walk on. Guilfort particularly emerges as a troubling and troubled character.
"Meet Me in the Green Glen" ends up hitting much harder than I ever expected it would, and those patient with the novel's early treading of water will be rewarded.