For beginning or advanced students of poetry focused on the art of structuring a poem, A Poet’s Ear serves as a handbook to writing in numerous fixed forms. Here, Annie Finch’s remarkably in-depth introduction to poetic form in English opens a new and exciting world to contemporary poets. From the basic meters and traditional European forms of the ballad and the sonnet to poetic forms brought to English from worldwide cultures and postmodern forms and techniques, A Poet’s Ear serves as both a survey and a guide to the exploration of poetic form. More diverse and comprehensive than any other form handbook, A Poet’s Ear will be essential to the serious student of poetry.
Annie Finch is the author of six books of poetry, including Spells: New and Selected Poems, The Poetry Witch Little Book of Spells, Calendars and Eve (both finalists for the National Poetry Series), and the verse play Among the Goddesses: An Epic Libretto in Seven Dreams (Sarasvati Award, 2012). Her poems have appeared onstage at Carnegie Hall and in The Penguin Book of Twentieth-Century American Poetry. Her other works include poetry translation, poetics, poetry anthologies, and a poetry textbook. She is also the editor of Choice Words: Writers on Abortion (Haymarket Books, 2020). Annie Finch holds a Ph.D from Stanford, served for a decade as Director of the Stonecoast MFA Program in Creative Writing, and has lectured on poetry at Berkeley, Toronto, Harvard, and Oxford. In 2010 she was awarded the Robert Fitzgerald Award for her lifetime contribution to the art and craft of Versification. Finch has collaborated on poetic ritual theater productions with artists in theater, dance, and music and has performed as Poetry Witch on three continents. She teaches poetry and magic at PoetryWitchCommunity.org.
“My poems harness the magically diverse and deeply rooted craft of poetic rhythms and forms. Like spells, they enjoy being spoken aloud three times." —Annie Finch
Annie on Twitter @poetrywitch Annie on Instagram @thepoetrywitch
Annie connects with readers and facilitates seasonal rituals and classes in poetry and meter in her online community, PoetryWitchCommunity.org, open to all who identify as women or gender-nonconforming.
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It really did give me knowledge that I can bring home with, the detailed analysis of different poetic forms have turned to be tools in my toolbox while writing my own poems. Clear structure, substantial content, jot notes while reading, and when you revisit it you'll find sth useful every sing time.
This book is packed with in-depth, techniques for writing and understanding verse. It's as good as Mary Oliver's "Rules For the Dance," but with a lot more content.