Louisiana Hayride: Radio and Roots Music along the Red River

by Tracey E.W. Laird

On a Saturday night in 1948, Hank Williams stepped onto the stage of the Louisiana Hayride and sang "Lovesick Blues." Up to that point, Williams's yodeling style had been pigeon-holed as hillbilly music, cutting him off from the mainstream of popular music. Taking a chance on this untried artist, the Hayride--a radio "barn dance" or country music variety show like the Grand Ole Opry--not only launched Williams's career, but went on to launch the careers of well-known performers such as Jim Reeves, Webb Pierce, Kitty Wells, Johnny Cash, and Slim Whitman.

Broadcast from Shreveport, Louisiana, the local station KWKH's 50,000-watt signal reached listeners in over 28 states and lured them to packed performances of the Hayride's road show. By tracing the dynamic history of the Hayride and its sponsoring station, ethnomusicologist Tracey Laird reveals the critical role that this part of northwestern Louisiana played in the development of both country music and rock and roll. Delving into the past of this Red River city, she probes the vibrant historical, cultural, and social backdrop for its dynamic musical scene. Sitting between the Old South and the West, this one-time frontier town provided an ideal setting for the cross-fertilization of musical styles. The scene was shaped by the region's easy mobility, the presence of a legal "red-light" district from 1903-17, and musical interchanges between blacks and whites, who lived in close proximity and in nearly equal numbers. The region nurtured such varied talents as Huddie Ledbetter, the
"king of the twelve-string guitar," and Jimmie Davis, the two term "singing governor" of Louisiana who penned "You Are My Sunshine."

Against the backdrop of the colorful history of Shreveport, the unique contribution of this radio barn dance is revealed. Radio shaped musical tastes, and the Hayride's frontier-spirit producers took risks with artists whose reputations may have been shaky or whose styles did not neatly fit musical categories (both Hank Williams and Elvis Presley were rejected by the Opry before they came to Shreveport). The Hayride also served as a training ground for a generation of studio sidemen and producers who steered popular music for decades after the Hayride's final broadcast. While only a few years separated the Hayride appearances of Hank Williams and Elvis Presley--who made his national radio debut on the show in 1954--those years encompassed seismic shifts in the tastes, perceptions, and self-consciousness of American youth. Though the Hayride is often overshadowed by the Grand Ole Opry in country music scholarship, Laird balances the record and reveals how this remarkable show both
documented and contributed to a powerful transformation in American popular music.

Genres: Music

224 pages, Hardcover

First published December 9, 2004

Reviews

[Tom Schulte · Rating 4 out of 5]

Due to the fact that the Louisiana Hayride brought to the national spotlight both Hank Williams and Elvis Presley, they took a risk in claiming the annals of country music and rock-and-roll during the postwar era in U.S. history. But the Hayride's story does not end with its final broadcast, but with the multiple directions taken by the four influential sidemen formed during the post-World War II era in Shreveport. Commerce plays an essential role in this story of music. In the context of country music, Presley manifested fluency between black and white musicians that had deep roots in the religious singing of the South's evangelical past. The Hayride might have remained as another live radio broadcast; still Shreveport gained a central position in the history of country music and a place in the larger context of southern musical culture because of its radio station.

From the origins of country music radio to the seminal role of KWKH "in the annals of country music and rock-and-roll in postwar U.S. history", this is a fascinating and detailed account this important music history nexus. There are plenty of pictures and career details on D.J. Fontana, Johnny Cash, Leadbelly, Rose Maddox, the nearly forgotten Webb Pierce, Jimmie Davis, and more.

[Marra · Rating 3 out of 5]

A great historiographic account of the fusion of disperate musical tradition at a social border (Shreveport, LA), in one radio show (Lousiana Hayride) that produced such American music mainstays as Hank Williams, Johnny Cash, and Louisiana "Singing Governor" Jimmie Davis. Social histories are charted alongside pre-WWII technical innovation to explain the creation of a musical program that rivaled the Grand Ole Opry. Laird's book helps Louisiana Hayride reclaim its often overlooked role in the history of country music, serving as an important counter-weight to the Opry, and thus, providing a more decentralized understanding of the institutionalization of country music.