Delving into the more supernatural and esoteric areas of Gotham City, the 6-part storyline explores the horrific murder of one of Bruce Wayne's childhood friends... and the terrible ramifications the brutal crime has on Batman's life.
Collecting: Batman: The Dark Knight 1-5, material from Superman/Batman 75, & Batman: The Return
Artist discovered by Topcow comics. Worked on various comics including Cyberforce, Witchblade, Tales of the Witchblade, Darkness and his creator own title Ascension. He also co-created Aphrodite 9. The artist then moved on to working for Marvel comics including the titles New Avengers, Ultimate X-men, Wolverine covers, and various others.
Librarian note: There is more than one author in the GoodReads database with this name
A girl from Bruce’s childhood – Dawn Golden – has grown up to become a socialite who is now missing, presumed dead. Bruce turns away from Batman Inc. to focus on finding Dawn but becomes embroiled in a supernatural battle between demons involving Lady Blaze and Etrigan (who has temporarily lost his powers).
First off, I’m a big fan of David Finch’s art – he’s done amazing work for X-Men, Moon Knight (one of the demons in the book – Ragman - looks like a green Moon Knight), Batman, Superman, Captain America, the list goes on. Every strip I’ve seen him draw has been high quality. Unfortunately like another great artist turned writer, Tony Daniel, David Finch’s writing leaves a lot to be desired.
The plot holes make this a very poor Batman book. Never mind that Dawn Golden (tritely named too as the subtitle is “Golden Dawn” – groan) has never been mentioned before, why is Gotham suddenly teeming with demons? First Dawn’s dad turns out to be an evil sorcerer (no further background, he just is), then Jason Blood becomes Etrigan to get his powers back (when did he lose them?), and then Penguin is apparently involved with some demon leader for something (it’s never explained). There’s also a subplot about a daughter of a Wayne Enterprises employee who manages to break into the Batmobile for some reason but this storyline doesn’t go anywhere either.
There’s one very sloppy plot hole at the end where Etrigan (who doesn’t have his powers) is losing a fight to Lady Blaze (who has his powers) only for him and Batman to show up in another scene 2 pages later with his powers, battling a new set of demons, with no further mention of how he got those powers back, how they escaped Lady Blaze, and how they made it to this new location – it’s just a mess.
Also included is a one shot written by Grant Morrison that sets up Batman Inc. and a 2 page story written/drawn by David Finch involving an old Damien and Connor, both in Batman and Superman outfits, talking about their dead parents.
The book looks great and David Finch remains an outstanding artist but he’s got a long way to go before he becomes a writer of equal ability.
I'm not usually a fan of Batman and the supernatural, but this story was entertaining. For some reason Batman/Etrigan team-ups don't bother me. It's not a great story, and Bruce's obsession with his childhood friend seemed just a teeny bit melodramatic. There were other problems with the story, but overall it was ok. Brain candy with nice art.
There are three shorts at the end of this volume, but I didn't like any of them very much. They were all pretty dorky.
I'll probably sound like many other reviewers, but some great artwork make Golden Dawn seem better than it actually was most of the time. (The back cover of the deluxe edition pretty much sells the book.) The main story-line, though appropriately dark at times - a damsel in distress mixed with supernatural forces active in Gotham - is sort of thin and does not have a particularly strong ending. Still, even an average Batman book is paired well with a morning coffee break.
It's kind of dismaying to see Aliester Crowley and the Golden Dawn reduced to the status of an inside joke. Yes, some of the mood comes from that tradition, but the names are basically there so Finch can wink at the reader and say, "See? I've done my homework. " Just how many women from Bruce's past are there, anyway? I've lost count, and I rather suspect he has as well. This is basically a pretty decent story. A rich socialite has gone missing and James Gordon's job is on the line as he and Batman scour the city for clues. And there's a demon stalking her as well, which brings Etrigan into the mix ... Some story points are unclear. There's a point where Batman is fighting Killer Croc, and his utility belt gets torn off, but it's not really clear from the artwork. I had to go back and reread it before I figured out what happened. And the ending ... so I reread it three or four times and I'm still not sure how they beat the bad guy. It's implied that Etrigan may have done ... something? Or perhaps it was just spontaneous combustion? It smacks way too much of deus ex machina for my liking. There are two shorter stories rounding out the volume. The one by Grant Morrison begins well, giving us the story of the bat that flew in through Bruce Wayne's window, but then wanders into Dark Knight Returns territory with Batman as general leading an army. Grant writes Batman the Master Planner well, but it's always struck me as a dead end. My favorite Batman stories are from the 70's and early 80's. Give me Denny O'Neil or Steve Englehart or Mike Barr and I'm happy. The final story in this volume is a David Finch two-pager set in the future that's much better than the Golden Dawn main story.
Addendum 5/16/18: This is another of those books that I didn't mean to read twice. It just faded from my memory to the point where I didn't recognize it on the shelf, and thought, “Hmmm … this looks interesting. “ You read as much as I do, it happens.
I don't like it any better the second time around. It's an interesting premise, but the villain is disposed of just a little too handily. Etrigan switches sides a little too easily, though, to be fair, it's not the first time in this story that that happens.
The Grant Morrison story begins promisingly enough, but goes downhill once the bit dealing with Batman’s origin is over. And the second David Finch story is so short that it's barely there.
Once again it's proven that being able to draw a story doesn't mean you can tell one.
David Finch plots and draws (3 issues out of 5) of this one and the sad truth is that it sucks. Big time.
To say the plot is corny and confused is an understatement.
Two main cardboard cutouts pop out of nowhere: Dawn Golden, an empty poor lost girl suffering from an evil cultist (caricatural) father and Jack Forbes a so obviously corrupt cop it's laughable.
Etrigan walks by for some reason, bereft of his powers for some other reason- though I'll admit that not reading boring rhymes was somehow restful.
The narration is totally awkward, up to a point I even wondered if Finch hadn't forgotten one subplot (the geeky girl) along the way.
As for the dialogues they sadly don't stand scrutiny for more than 2 seconds and sound as phony as the plot. I'm not sure it was Finch's intent but Etrigan speaking of the "Demonic Duo" he forms with Batman was almost funny. Almost.
After 3 standard issues (decent but in no way amazing) Finch gives the pencil to Jason Fabook who delivers a by-the-book in-house job: bland and without any show of personality.
Barely coherent and lacking of any hint of finesse, this book is just a nail in the coffin of Finch's aspirations of being more than the renown penciller he is.
This was kind of a hot mess. I'm not a big fan of stuffing Batman into mystical stories. He's not a mystical character, almost anti-mystical at times, so it's usually a poor fit. But it can be done, carefully. Finch wasn't careful. Instead, he seemed to get enamored with the idea of an evil cult. So we have that, plus a friend from Bruce's childhood we'd never heard of before, and an oddly obsessed Batman, and a smarmy new cop, and political intrigues... And it never comes together as a cohesively plotted whole, instead of something that was thrown together as Finch went along. There's an unresolved (at least, in this collection) subplot about the smarmy new cop trying to take Gordon's job, but I don't care enough about the writing to seek out the end of the subplot, nor do I believe that it would ever resolve in anything other than Gordon's vindication. And it probably didn't carry over into the New 52 anyways, so what's the point?
There's also, inexplicably, a Morrison-written one shot, set immediately after Bruce's return from the dead. It's a good enough story, though I have no idea why it's here. Better still is the very short story set in the future (the same one Morrison used in one of his stories) starring Damian as future Batman (and mentioning Terry, ha) and Connor as future Superman. Which, though brief, is actually pretty good stuff.
Mostly boring title with not much worth reading. The art was good atleast. I really can't remember much from this so not even a full review for it, sorry. A 2 out of 5.
(Edited Review) David Finch on Batman. Not to mention the Dark Knight series. I had heard that this story was okay. I put it off for a while, but I came back to it and found it to be...okay. The art is pretty awesome, I will say that. The art explodes off the page in a similar way to Jim Lee's work. I use to hate Batman and the supernatural in a story together, but I have moved on from that now. Batman and Etrigan is actually a fun idea and I liked that element of this story. In fact, 3/4s of this story is pretty damn entertaining. Sure it goes through the motions, but I never the less enjoyed it. There is the main Batman plot with Penguin, Killer Croc, and Golden Dawn. Then the 3 other side plots are Etrigan's, Commissioner Gordon's, and this little girl who is communicating with Alfred. All of them were good until the final quarter of the book where everything just CUTS OFF!
The story ends really abruptly with almost no time for any character development or tying up loose ends. My main issue with this story is Dawn Golden. I didn't really care about her too much. Of course, she is a girl that Batman needs to protect from the villain so obviously, you are rooting for her to live. But she is bllaaaanddd. She gets a quick backstory at the beginning of the book, but there is such a lack of her and Batman together building character that there was nothing interesting I found about her. She was literally your run of the mill damsel in distress. With her comes an at first cool and interesting villain. The twist I saw coming a mile away and near the end, this character is corny and clichéd as hell, with you guessed it. Nothing interesting about him. He was also extremely undeveloped. Etrigan, as I said before, is a cool addition to the story. It isn't ever really clear why he is in the story but y'know I'll go with it. Lady Blaze also makes an appearance but after doing her evil stuff just gets cut off. It is never shown how she is defeated AT ALL! The story just skips what happens to her! Why?!
Jim Gordon's sub-plot is actually pretty good. Kinda generic but I liked reading it. Until it gets cut off. Look, this is a TRADE. A hardcover deluxe edition TRADE. Every plot point should be cleared up goddamnit! In the end, I was having fun with this story until I realized the main point of the story isn't all that riveting. In fact, it was bland as hell. The book ends to quickly for sure, the art is top notch, and Batman is how he should be, but a little more short with his temper. Letter Grade: (C+)
Golden Dawn is by no means an unenjoyable short comic series, it's just lacking when assessing it critically as a Batman story. I find nothing offensive or shocking or even particularly poor in this five-issue series written and pencilled by David Finch (with the last two issues pencilled by Jason Fabok), who is primarily a comic book artist. But it is perhaps this total lack of surprise that just meant this story fell flat, feeling very generic and safe. As I said before, I'm always going to enjoy a Gotham-set Batman detective story involving some familiar villains, including Penguin and Killer Croc, but Finch failed to provide anything to make this rather short plot stand out. The way in which he tried to do this was to include a demonic presence, with the character of Etrigan appearing alongside Lady Blaze, as well as another ritualistic antagonist, but the appearances of these characters was not long enough or fleshed out enough to evoke any sense of dramatic interest, the last two issues felt very fast-paced to the detriment of what should have been an epic conclusion. This is a shame as I did like the general plot outline involving Etrigan, but Finch should have focused more on this aspect of the story.
Instead, a portion of the story is devoted to a rather meaningless subplot about a young girl hijacking the batmobile, which ultimately ends in a rather pointless manner. Finch also introduces a new character to the Batman mythos in this story, Dawn Golden - who really leaves no impression whatsoever. Although she is the titular character, she is really more of a plot device to serve the antagonist's plans and does not express any remotely distinguishing feature whatsoever. I don't mind this too much however, as I think Batman himself is written pretty well - Finch clearly understands the character well and his brief monologues and overall presentation does of course retain my interest as is so easy with a batman comic. Finch's writing is also pretty solid for someone who is mostly an artist - although some lines perhaps feel a little stilted and awkward, especially from the villians. There is also another subplot including Commissioner Gordon and the GCPD, which I actually found rather interesting, but this thread is left unresolved - almost forgotten about. Both Finch and Fabok do a pretty stellar job on the art, both capturing that familiar darkness of Gotham well and Fabok especially does a great job with the demons in issues 4 and 5.
Overall, Golden Dawn is by no means a must-read, it is a very by-the-books and typical story that really does nothing new, but if you enjoy the atmosphere of a classic batman comic series, then I'm sure you'll still enjoy reading it.
Batman has always been my favorite hero. (Well, second favorite but I can't really say Aquaman and be taken seriously). He is the embodiment of the aristotelian ideal, perfection of both body and mind. When the Nu 52 was announced, I wondered what sorts of catastrophes we could expect in the fallout. Other than this weird obsession with globalzing his efforts, I've been pleasantly surprised. Note: this book is pre-New 52 and I was getting things a bit mixed up, but my original ratng still stands.
This is what Finch was doing the year before the reboot- the world's greatest detective is on the trail of a childhood friend who's been kidnapped. We get the Penguin, Ragman, Etrigan, Killer Croc and even some time with Gotham PD politics. Its a great opening.
David Finch has some damn good ideas in this book, but I think he should hand over the writing duties to someone else and just do the scripting and artwork. Some of the finer points like dialogue seem stiff and stilted. His artwork though, well, its pretty brlliant. The man is truly the rightful heir to Jim Lee.
I love the art in this book, David Finch with Jim Lee’s faithful duo of Scott Williams & Alex Sinclair. Which is the main reason I’m giving this book 3 stars. Unfortunately the writing left somethings by to be desired, the whole story felt disjointed & ending felt rushed with no real resolution. Characters were introduced without any clear explanation of why.
I've never given a Batman book lower than a 3, but this one is an exception. The story was really thin and boring, and is full of holes and overused plot devices. These are some of the things I didn't like about it (besides Damien and the whole Batman Inc thing which is not the fault of this author):
1) There's a standard brainless "hot-looking" girl that needs rescuing and Batman is obsessed with this case to an unhealthy degree, more than he has been with any other! Yeah, another one. So Alfred tries to talk some sense into him but he just doesn't listen, as usual.
2) How does a teenage girl steal the deepest secrets of Wayne Enterprises (and how does no one notice with all Bruce's security measures) on the orders of the mafia, who are apparently less capable than her? It also seems like if they knew that Wayne Enterprises was making things for Batman it would be easy to figure out that Wayne is Batman. And these mobsters act as if they learned to be bad guys from a cartoon.
3) The Penguin has cornered Batman and his men are pointing huge machine guns at him but he quickly leaps behind a desk and is safe. He pulls some magic gadget from his belt that is some twisty electric wire trap, and all the goons are caught except the Penguin for some reason. But with the help of Killer Croc the Penguin gets Batman back and, in a stroke of evil original brilliance, hooks him up to a bomb that will go off if his heartbeat gets too fast. Batman escapes easily and figures the girl must be nearby because Croc is not smart enough to have more than one place. But wasn't Croc working for Penguin, in which case she could be anywhere?
4) My biggest problem with this book is the portrayal of Batman's personality. It just doesn't seem to be him. The "voice" of Batman is not believably his at all. For example, Batman would never say "Game on". It just seemed like someone else had taken over Bruce's body and was trying to be as cool as Batman.
This entire review has been hidden because of spoilers.
I thought I would like this one. The setup sounded interesting but it’s becoming more clearer to me that most of the Batman stories involving the occult or anything supernatural doesn’t really seem to work. That’s a bummer because I always wish they do.
This one in particular was just silly. It started off mildly interesting but got boring pretty fast. It was all very predictable and I feel the writers knew this and ended everything really abruptly, making the read feel like an absolute waste of time. Terrible writing and at times so bad it was kind of funny, “Demonic Duo”? Lol ! The art was decent but that’s about it.
I like it when Batman stories have an element of horror, and this series definitely had that. A childhood girlfriend of Bruce Wayne's goes missing, and as he tracks her down he runs into Killer Croc, The Penguin, The Demon Etrigan, and a bunch of demons and devil worshippers. Ragman shows up too...sort of.
The story did get a little murky at times, and there's a strange subplot involving the theft of the Batmobile that I don't think was ever followed up on. I've always liked Dave Finch's art, and I can tell he has an affinity for Batman and really enjoys working on the character.
It's amazing how much art can add to a comic. I've read a lot of comics with great writing and mediocre art, and I'll just fly right past the panels, just getting enough info to move on. But fantastic art, like David Finch's, can hold up an otherwise bland storyline solely by making you want to take it all in and admire every tiny detail.
I guess I had this thought reading this book, because David Finch stops drawing it a little over halfway through and, even though they got a "lookalike" artist to fill in, the quality of the story plummeted for me. It really wasn't that the storytelling was worse, it was just that I didn't take the time to care about the art anymore.
The story is very run-of-the-mill "spooky" Batman stuff. We've got fights with demons, some particularly grotesque-ified Penguin and Killer Croc character models, human sacrifice. It's interesting, if not compelling. Also, this volume is called "Golden Dawn" for no reason other than that the damsel in distress is named Dawn Golden, one of the dumbest names I've heard in quite a while. It took me out of the story every time. It's like if a high school kid thought it'd be meaningful to name his main character "Angst Puberty."
Anyway, this volume doesn't really end or wrap anything up. Just feels like a beginning. It has some surprising stuff in it, but largely it doesn't live in the plot elements it sets up, so there's little to latch onto or care about.
Oh, and David Finch - please draw Batman all the time.
Man, so much happened in this story, it was a quick one, smaller than usual but it was jam-packed with layers of story and sneaky peaks of what's going to happen in the future. Firstly there was the childhood friend of Bruce, a connection to his past before the tragic event that turned him into the infamous Batman and how she (or specifically her father) was connected to the mystical. Next, we have a very reflective, not moody, Batman. David Finch really captured how I feel Batman would be feeling after what he had recently gone through during his time away from Gotham. Absolutely stunning illustrations, from the character design, (realistic yet lusciously buff) to how the comic title pages were designed, to the little details that added texture and depth to the background and the colouring; I was a huge fan of this work. As soon as I opened the book I was like, 'yep, going to love looking at this one, hope the story meets up to it.' And it really did 'cause thirdly we had cameos from Killer Croc and Penguin; just fab. Not only that but at least four times throughout the story I literally laughed out loud; Alfred is always a card, very much looking forward to Pennyworth coming to Netflix. I loved it, as always I just live for this collection of Batman stories.
The Dark Knight (Golden Dawn) is well timed to an audience which has been experiencing a darker, grittier version of Gotham and Batman himself through movies and video games. The story tells more of the trauma and daily pain that is life in Gotham as a citizen, a villian or a superhero. It is well told in a realistic, particularly for a superhero/supernatural setting where Batman's walking the line between good and evil definitely blurs. The book includes the beginning of another storyline as a bit of a teaser and finishes with a short story written from the point of view of those who inherited the mantle of the two most famous superheros, Batman and Superman, as they approach the memorial statue to their mentors and discuss their place in this ever changing less idealistic world. An excellent well executed read.
The art is damned good, I especially liked the David Finch cover reproductions.
As far as the story is concerned... well I'm still left here wondering wether there was an actual story told. The story is so intersperced and told in chunky "chapters", that I was often going back a page or two to see if I had skipped anything... nope, no skipping involved, just big chunks of the story the reader has to sort of "make up" for himself.
Very nice art, very sloppy story. That's OK though, it just means I won't have to strain my wallet buying the sequels.
The drawing from Finch is a stunning, brilliant & allows the Bat to be a winner in every panel that he is in. For the artwork alone, this deserves a 5.
But for writing it didn't have the ending I was hoping for. It kinda left me with more questions than answers.
Still kudos to Finch on undertaking both drawing and writing duties. And hopefully his next Dark Knight outing will be the perfect combination of awesome drawing and well and depth-crafted writing.
A grim, mystical Batman story. The artwork is wonderful; Finch gives us one of the best interpretations of The Penguin in years. The storytelling is clear and coherent with smooth dialogue and straightforward plot. Unfortunately the conflict feels small and the urgency in the storytelling is stuck in first gear. Also, Dawn Golden is irrational and annoying.... Just blurt out your whole past to a stranger in one breath, Dawn. I'm sure Batman won't mind.
I enjoy a supernatural aspect to Batman's stories once in awhile. And I thought this one was well-done - plus it's fun to see Batman to team up with The Demon Etrigan. Bonus: A couple of back-up stories, one of which is a possible future with Connor and Damian as an aging Superman and Batman talking about their forebears.
I don’t understand why this book gets such a bad rating. I’m reading the eaglemoss legends of batman series and before Golden Dawn I read Grant Morrison’s Batman Reborn which has a lot of 5 star reviews?! In my opinion this is a better story, the artwork fits the mood and the supernatural element was something different.
Despite only having a five issue run, the story was great. Batman was trying to find out the whereabout of his old childhood friend who was abducted. This was a great run and the story was very strong. I really enjoyed this.
Generally, a good Batman story. It has nice ties to his past and the introduction of demons into Gotham is a good one. I also quite like Finch's artwork, which has a real classic look to it. They're nothing amazing in this volume, but it's evocative and gritty.
Primer capítulo: interesante. Segundo capítulo: legible. Tercer capítulo: esto ya se está poniendo medio berreta. Cuarto capítulo: ¿Falta mucho? Quinto capítulo: ¿Ya está? Gracias, ¿me puedo ir?