En este libro el bebé puede reconocer muchos de los juguetes y objetos que le son los cubos de colores, el carrito, una cacerola, una caja de cartón, un libro, el osito y la pelota. El bebé empieza a diferenciar su persona del resto del mundo, viendo primero una imagen de estos objetos por separado y luego una imagen del bebé con ellos.
Born in 1938 and growing up in Ipswich, England, Helen Oxenbury loved nothing more than drawing. As a teenager, she entered art school and basked in the pleasure of drawing, and nothing but drawing, all day. During vacations she helped out at the Ipswich Repertory Theatre workshop, mixing paints for set designers. It was there that she decided her future lay in theater design.
While studying costume design, however, Helen Oxenbury was told by a teacher, "This is hopeless, you know. You ought to go and do illustrations--you're much more interested in the character, and we don't know who's going to play the part!"
But sets and scenery, not books, remained Helen Oxenbury's preoccupation for several more years as she embarked on careers in theater, film, and TV. After marrying John Burningham, another of the world's most eminent children's book illustrators, and giving birth to their first child, at last she turned to illustrating children's books. "When I had babies," Helen Oxenbury says, "I wanted to be home with them and look for something to do there."
Today, Helen Oxenbury is among the most popular and critically acclaimed illustrators of her time. Her numerous books for children include the Greenaway Medal-winning ALICE'S ADVENTURES IN WONDERLAND and its companion, ALICE THROUGH THE LOOKING GLASS, both by Lewis Carroll; Smarties Book Prize-winning FARMER DUCK by Martin Waddell; SO MUCH by Trish Cooke; as well as her classic board books for babies. More recently, she collaborated with author Phyllis Root on the jubilant, no-nonsense tall tale BIG MOMMA MAKES THE WORLD. "As I read Phyllis's text, I imagined Big Momma as part Buddha, part housewife," she says. "It was intimidating to create a whole world, but very enjoyable."
And what does she love most about her work? Thinking up new ideas? Seeing the finished book? Not at all. For Helen, "The best part is when I think I know what I'm doing and I've completed a few drawings. In fact, when I get about a third of the way through, and I feel I'm on my way, then I'm happy. It's like reading a good book--you don't want it to end."
Helen Oxenbury and her husband make their home in London, where the illustrator works in a nearby studio. She is also an avid tennis player.
This delightful board book is wonderful for young toddlers learning to associate words with objects. Each page presents a new word for an object that children often play with. These objects include blocks, wagons, pots, boxes, books, teddy bears and balls. The illustrations show the object, and also show how the child typically interacts with the object. This enables the young child to better understand the concept of the word. Parents can use this book to further enhance their child’s development by discussing the pictures with their child and encouraging their child to explore the book on their own. This book can also begin a conversation about pointing to things and assigning names to them.
Here is another one of Helen Oxenbury's sweet books for babies. I loved reading this one to my kids when they were wee babies, and just re-read it tonight for the memories. So adorable this whole series.
There is nothing I don't like about this book. I love the illustrations and choice of simple every day objects. The copy I have the pages are thick enough to turn easily for little hands without being too thick or bulky. Oxenbury has the formula figured out.