I find this compilation of El Greco's paintings powerful for two reasons: the intense, dramatic Post-Byzantine paintings were considered nearly sacrilegious for their time (which is no doubt a fact that endeared Nikos Kazantzakis to El Greco's work centuries later); and I was reared in Crete (where El Greco was also born), so I visited the tiny El Greco museum with my school yearly from the time I was 6-years-old until I was 11. I remember looking up in awe at huge paintings I didn't understand--burgundy cloaked figured and dark skies, something meant to be religious, but frightening to a child (I just knew I felt uneasy and was ready for the next phase of the trip where we got to feed the pelican). I had nearly forgotten those trips until I saw this book.