Through window displays, newspapers, soap operas, gay bars, and other public culture venues, Chinese citizens are negotiating what it means to be cosmopolitan citizens of the world, with appropriate needs, aspirations, and longings. Lisa Rofel argues that the creation of such “desiring subjects” is at the core of China’s contingent, piece-by-piece reconfiguration of its relationship to a post-socialist world. In a study at once ethnographic, historical, and theoretical, she contends that neoliberal subjectivities are created through the production of various desires—material, sexual, and affective—and that it is largely through their engagements with public culture that people in China are imagining and practicing appropriate desires for the post-Mao era. Drawing on her research over the past two decades among urban residents and rural migrants in Hangzhou and Beijing, Rofel analyzes the meanings that individuals attach to various public cultural phenomena and what their interpretations say about their understandings of post-socialist China and their roles within it. She locates the first broad-based public debate about post-Mao social changes in the passionate dialogues about the popular 1991 television soap opera Yearnings . She describes how the emergence of gay identities and practices in China reveals connections to a transnational network of lesbians and gay men at the same time that it brings urban/rural and class divisions to the fore. The 1999–2001 negotiations over China’s entry into the World Trade Organization; a controversial women’s museum; the ways that young single women portray their longings in relation to the privations they imagine their mothers experienced; adjudications of the limits of self-interest in court cases related to homoerotic desire, intellectual property, and consumer fraud—Rofel reveals all of these as sites where desiring subjects come into being.
Totally love this book, the triangulation of repression, interest, and passion, for Rofel, underpins the Chinese project of becoming modern. "Between repression and passion lies socialism, between passion and interests lies capitalism"--right to the point. Legal cases are also fascinating.
The topic of the book is extremely interesting and once you get past the first couple of chapters the book starts reflecting this. It is essentially about how Western culture is impacting the people of China. It discusses the homosexual culture as well as a new kind of feminism and public culture while giving the reader a hint at the author's positionality.
On the down side, I think the author struggled to fit the "desiring" in Desiring China into too much of the book to the point where it became tired. The first chapter also fails to lure the reader into reading more about the topic and I would say that it even deters them. It is filled with academic writing that is perhaps just too dense for the casual reader or even for most of the undergraduate anthropology students in my class.
There were a number of moments when this book did a very good job of evoking interest and presenting a compelling argument about the process of creating a "modern" and desiring ethos in China post-Mao. However, the tendency to foreground theoretical discussion over the interpretation of evidence is a trend in scholarship that I generally don't find appealing and one that crept into this book over and over again.
Previous book I just added? Good stuff. This is even better. Really gets at ETHNOGRAPHY and cultural practices from the ground-up rather than from theory-down. There's a chapter on a women's museum, too, which makes me happy.
Plus, Dr. Rofel visited our class this morning and was very nice, accessible, and thoughtful in talking to us grad students about all sorts of topics.