Winslow Homer

by Winslow Homer (Artist), Franklin Kelly, Nicolai Cikovsky Jr.

The book discusses and reproduces more than two hundred paintings, watercolors, and drawings that span Homer's career, all of which are discussed in entries by Cikovsky and Kelly. It begins with the Civil War paintings that first brought Homer's remarkable artistic mentality to public attention, in which he movingly expressed the profound implications the war held for the nation. Homer's interest in national themes is further explored in his works of the later 1860s and 1870s, which embraced a wide spectrum of American life. His shift toward more idealized and heroic imagery and his withdrawal to a solitary life at Prout's Neck, Maine, in the 1880s are discussed as turning points leading to the great achievements of his last two decades. After considering his beautiful late watercolors of the Tropics and the Adirondacks, and his monumental Prout's Neck seascapes, the book concludes with a reassessment of the tragic, almost visionary paintings of his last years.
The book is also the catalogue for a major exhibition on Homer's works, opening at the National Gallery of Art on 15 October 1995 and traveling to the Museum of Fine Arts, Boston, and The Metropolitan Museum of Art, New York.

Genres: Art, Nonfiction

420 pages, Hardcover

First published January 1, 1962

About the author

Winslow Homer was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th century America and a preeminent figure in American art.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.

Reviews

[Mikey B. · Rating 5 out of 5]

Eagle Head,Manchester, Massachusetts (High Tide), 1870
Metropolitan Museum of Art, New York City




The Herring Net, 1885
Art Institute of Chicago


Winslow Homer is undoubtedly one of the foremost artists of the United States in the 19th century. He was largely self-taught. His paintings cover a wide range - from the Civil War to rural hamlets and a multitude of seascapes with the ocean and fishermen and fisherwomen as prominent subject matter.

His paintings avoid the overly dramatic. There is often an enigma about them. None of his paintings are particularly large. I wonder how deliberate this was – as he was in the business of selling his paintings to private individuals in art galleries. He was a master of both oil and watercolors.



Snap the Whip, 1872
Metropolitan Museum of Art, New York City



The text is on the whole very readable (I found the chapter on the Japanese influence “Innovation in Homer’s Late Watercolors” overly technical). There are hundreds of colour illustrations of Homer’s paintings in this book with enlightening commentary. One can see a Japanese influence on Homer’s paintings. But this was also common in many European painters of the era.



Northeaster, 1895
Metropolitan Museum of Art, New York City



In his later life Homer lived the last thirty years in the rather isolated community of Prout’s Neck, Maine (he was raised in Boston and then moved to New York City). It is speculated that he wanted to recover from a failed love affair. He was also quite sensitive to the criticism of his paintings, some of which was quite scathing. So possibly Prout’s Neck was an escape from this. He became somewhat of a misanthrope and possibly a misogynist. But it should be emphasized that several of his paintings feature strong, forceful, and active women.

He did travel extensively, leaving Prout’s Neck during the winter for trips to Florida, the Bahamas, and Bermuda. Also, he visited extensively in the Adirondack mountains of New York State and went to northern Quebec (the Saguenay river area). He went to Cullercoats, England where he was inspired to do many wonderful paintings. In fact, most of places he visited would be in his paintings.



Dressing For the Carnival, 1877
Metropolitan Museum of Art, New York City

This is a wonderful book on the paintings of Winslow Homer. He was a rather secretive individual – so the emphasis is on his remarkable output.



Crossing the Pasture, 1871-72
Amon Carter Museum of American Art

[Brian · Rating 4 out of 5]

Decent review of Homer's art and where it stood within his life and the world around him. I really enjoyed discovering the differences in the artist's use of oils and watercolors, along with the constant themes of death and nature. Excellent beginning on my study of Homer.

[False · Rating 4 out of 5]

An oversized beautifully printed book by the National Gallery of Art focusing on the work of American artist, Winslow Homer. I am selling my copy and listing it as "read" since it's leaving the house. If you want to learn about Winslow Homer, I'd put this book on the top five for research.

[Lynn · Rating 4 out of 5]

This was a nice overview of Homer's oils and watercolors, with insights on how the two media related to one another. I would have like to see some figure numbers or an art index, though, to help me find the pieces referred to.

[Brit · Rating 4 out of 5]

Nice overview of Winslow Homer's work and life.