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When God Is a Customer: Telugu Courtesan Songs by Ksetrayya and Others
How is it that this woman's breasts glimmer so clearly through her saree? Can't you guess, my friends? What are they but rays from the crescents left by the nails of her lover pressing her in his passion, rays now luminous as the moonlight of a summer night?
These South Indian devotional poems show the dramatic use of erotic language to express a religious vision. Written by men during the fifteenth to eighteenth century, the poems adopt a female voice, the voice of a courtesan addressing her customer. That customer, it turns out, is the deity, whom the courtesan teases for his infidelities and cajoles into paying her more money. Brazen, autonomous, fully at home in her body, she merges her worldly knowledge with the deity's transcendent power in the act of making love.
This volume is the first substantial collection in English of these Telugu writings, which are still part of the standard repertoire of songs used by classical South Indian dancers. A foreword provides context for the poems, investigating their religious, cultural, and historical significance. Explored, too, are the attempts to contain their explicit eroticism by various apologetic and rationalizing devices.
The translators, who are poets as well as highly respected scholars, render the poems with intelligence and tenderness. Unusual for their combination of overt eroticism and devotion to God, these poems are a delight to read.
These South Indian devotional poems show the dramatic use of erotic language to express a religious vision. Written by men during the fifteenth to eighteenth century, the poems adopt a female voice, the voice of a courtesan addressing her customer. That customer, it turns out, is the deity, whom the courtesan teases for his infidelities and cajoles into paying her more money. Brazen, autonomous, fully at home in her body, she merges her worldly knowledge with the deity's transcendent power in the act of making love.
This volume is the first substantial collection in English of these Telugu writings, which are still part of the standard repertoire of songs used by classical South Indian dancers. A foreword provides context for the poems, investigating their religious, cultural, and historical significance. Explored, too, are the attempts to contain their explicit eroticism by various apologetic and rationalizing devices.
The translators, who are poets as well as highly respected scholars, render the poems with intelligence and tenderness. Unusual for their combination of overt eroticism and devotion to God, these poems are a delight to read.
168 pages, Paperback
First published March 16, 1994
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About the author
A.K. Ramanujan
49 books101 followersRamanujan was an Indian poet, scholar and author, a philologist, folklorist, translator, poet and playwright. His academic research ranged across five languages: Tamil, Kannada, Telugu, Sanskrit, and English. He published works on both classical and modern variants of these literature and also argued strongly for giving local, non-standard dialects their due.
He was called "Indo-Anglian harbingers of literary modernism". Several disciplinary areas are enriched with A.K.Ramanujan`s aesthetic and theoretical contributions. His free thinking context and his individuality which he attributes to Euro-American culture gives rise to the "universal testaments of law". A classical kind of context-sensitive theme is also found in his cultural essays especially in his writings about Indian folklore and classic poetry. He worked for non-Sanskritic Indian literature and his popular work in sociolinguistics and literature unfolds his creativity in the most striking way. English Poetry most popularly knows him for his advance guard approach.
He was called "Indo-Anglian harbingers of literary modernism". Several disciplinary areas are enriched with A.K.Ramanujan`s aesthetic and theoretical contributions. His free thinking context and his individuality which he attributes to Euro-American culture gives rise to the "universal testaments of law". A classical kind of context-sensitive theme is also found in his cultural essays especially in his writings about Indian folklore and classic poetry. He worked for non-Sanskritic Indian literature and his popular work in sociolinguistics and literature unfolds his creativity in the most striking way. English Poetry most popularly knows him for his advance guard approach.
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Displaying 1 - 2 of 2 reviews
February 4, 2020
The way love, lust, Bhakti is sugar coated isn’t seen in these padams. These aren’t the padams which describe how the jeevatma yearns to unite with the paramatma. It’s an honest and Infact blatant depiction of how women felt as friends, lovers and as courtesans. An exquisite collection that must be explored in depth specially by dancers.
September 29, 2015
An intriguing collections of Teluga padams that mimic the devadasi tradition and devotional bhakti.
Displaying 1 - 2 of 2 reviews