In her first novel published in 2001, Canadian writer Dorothy Speak explores themes of family, loss, betrayal and conflict. She tells the story of Morgan Hazzard, a seventy-four-year-old woman whose husband William has had a stroke and lies dying in hospital. After living through an oppressive, loveless marriage and raising six daughters and a son, she has barely enough strength or confidence to walk to the hospital to visit him. Hampered by her poor eyesight, the result of macular degeneration, her daily trips are slow and difficult.
Morgan’s daughters left home long ago and are now scattered all over the globe, living miles away in places such as Brazil, Nepal, Germany and Indonesia. Only her son Morris lives nearby with his wife Olive and their houseful of six badly behaved sons. As the only boy in the family, Morris was always the object of William’s violent abuse, enduring regular beatings for even the smallest offences. His mother never intervened to stop them and Morris has never forgiven her. Morris found relief in religion and became a bible thumping born again Christian. He now assumes an air of self-importance, carries his bible everywhere and has named each of his sons after a book in the Old Testament.
Morgan’s story is told through her first-person narrative, her recollections, dreams and the letters she writes to the girls about their father’s stroke, but never sends. Other parts of her story are revealed when she visits William and to keep him company and pass the time, she looks back on their past lives together.
As the days go by and fall begins to move into winter, Morgan’s daily walks to the hospital improve her mobility, stamina and confidence. She visits the public library, explores the town and becomes more observant of the world around her. She notices the fall colors and when the snow arrives the beauty of the falling flakes. Her eyesight is poor but she finds her other senses are becoming more and more sensitive to everything around her. Morgan enjoys her new found freedom, the ability to set her own path and her own pace. Now that Will is out of the house, there is finally space for her. She meets people on the streets, never feels lonely and slowly begins to feel part of the world.
As Morgan begins a journey of self-discovery and discovers her own voice, readers quickly learn this woman has the capacity to grow and change. Freed from William’s constant deriding comments, Morgan puts aside the needs of her children, makes peace with her past and does what she pleases, in the process, casting off the mean actions of her bridge partners with whom she has played forty years and challenging the efforts of her money grabbing son.
William, unable to speak, walk or talk, refuses to eat or cooperate in his rehabilitation, remaining locked inside his angry lonely world. But Morgan is a strong woman and this is just one more difficulty she is forced to navigate. She has endured a past filled with difficult times, including a harsh childhood on a farm, an indifferent mother and an unwanted pregnancy. She has since endured a marriage filled with her husband’s harsh comments and his deriding criticisms about her lack of interest in politics, the news of the day and the world at large. Such comments often ended with his pronouncement that she was stupid.
Her children, products of the cold non-nurturing environment in the Hazzard household, are impatient and scornful of her, as she tries to find her way through these difficult circumstances alone. Their self-righteous attitudes and their blatant and damning criticisms do not endear them to readers.
Speaks creates a character in Morgan Hazzard that quickly gains readers’ sympathy. She is tough minded and makes several decisions at this late stage in her life that challenge society’s taboos in her search for personal happiness for the life she has left. She is an honest person who bares her soul, never wallows in self-pity and does not apologize for her actions.
Speak includes several plot twists that help move the story forward, small acts of rebellion and well-kept secrets, so the narrative becomes more than the melancholy story of Morgan’s difficult marriage to a narcissistic bitter husband and her brood of unloving children. A few supportive kind characters appear who lift some of the heavy veil from what would otherwise be a very depressing story.
The main symbol in this story is the Wife Tree, an old apple tree in the backyard that grew very close to another tree the couple called the Man Tree. William purposefully nurtured the Man Tree and over pruned the Wife Tree, almost killing it in his efforts to allow the Man Tree to flourish. After years of having its branches clipped and twisted back, the Wife Tree could no longer bear fruit and William had planned to cut it down.
Like other readers, this book reminded me of another older woman enduring the difficulties of old age. Margaret Laurence’s character of Hagar Shipley in “The Stone Angel” quickly came to mind, although the characters are quite different and their journey toward the future takes different paths.
The prose flows freely in this story which is both easy to read and enjoyable.