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Cosmopolis: Yesterday's Cities of the Future
The twentieth century saw a grand procession of promises for the city. The great modern architect Le Corbusier dictated cities of glittering white towers planted in green parks, Frank Lloyd proposed cities with no downtown, cities spread across the countryside with each family on its homestead, and skyscraper utopians of the 1920s promised paradise on the one-hundredth floor with our airplane hangared next door. One thing was the city of tomorrow would put to shame the city of yesterday. Another thing was certain, we would be happier, more peaceful (and productive) people. Here is Le "Free, man tends to geometry." And if we followed the "radiant harmony" of his geometry, the world’s cities could become "irresistible forces stimulating collective enthusiasm, collective action, and general joy and pride, and inconsequence individual happiness everywhere . . . the modern world would emerge . . . and would beam around, powerful, happy, believing." There were others who promised deliverance through their brands of the right angle, the curvilinear road in the park, the tower of glass. Each fervently preached that his was the magic geometry that, like tumblers on a lock, would open the way to the good life. Cosmopolis is a pattern book of expectations, generously illustrated with a gathering of plans from the City Beautiful to the Italian Futurists, The Cité Industrielle, World’s Fair utopias, science fiction visions, and the grand plans of the Moderns. Cosmopolis is the story of the ideal city we never achieved, and the great plans that went into making-over precincts of our urban language.
172 pages, Hardcover
First published May 1, 1990
103 people want to read
About the author
Howard Mansfield
34 books38 followersHoward Mansfield sifts through the commonplace and the forgotten to discover stories that tell us about ourselves and our place in the world. He writes about history, architecture, and preservation as he seeks to understand the soul of American places. He is the author of a dozen books about the stories we tell each other and the ones we refuse to tell. In short, how we chose our ancestors
He is the author of thirteen books, including In the Memory House, of which The Hungry Mind Review said, “Now and then an idea suddenly bursts into flame, as if by spontaneous combustion. One instance is the recent explosion of American books about the idea of place… But the best of them, the deepest, the widest-ranging, the most provocative and eloquent is Howard Mansfield’s In the Memory House.”
Among his other books are Turn & Jump, The Bones of the Earth and The Same Ax, Twice, which The New York Times said was “filled with insight and eloquence. A memorable, readable, brilliant book on an important subject. It is a book filled with quotable wisdom.”
“Howard Mansfield has never written an uninteresting or dull sentence. All of his books are emotionally and intellectually nourishing,” said the writer and critic Guy Davenport. “He is something like a cultural psychologist along with being a first-class cultural historian. He is humane, witty, bright-minded, and rigorously intelligent. His deep subject is Time: how we deal with it and how it deals with us.”
His newest book to be published in October is Invisible Monuments: Tribute, Memory, and the Summoning of the Past. It's about the memorials we debate, dedicate, and then ignore.
We live in an era of monument building. Our monuments, often after fierce debate, are dedicated in ceremonies that try to bring life to the stone -- and then we walk away. The mute stones are left to the pigeons. Our grandest efforts at creating a shared, cultural memory melt to invisibility. Why?
Invisible Monuments looks at these moments of commemoration in the familiar and the unfamiliar. We visit the Vietnam Veterans Memorial, the Bunker Hill Monument, and a once- venerated World War I memorial in England. We journey to a little-known memorial that one grief-stricken family built stone-by-stone for their son lost in war, a place that still draws thousands each year.
And Invisible Monuments looks at the failure to commemorate in the recently rediscovered African Burial Grounds in Manhattan and Portsmouth, New Hampshire, and in the unmarked graves of the Irish immigrants who built the railroads in the woods of New Hampshire. We’re also introduced to an audacious attempt to memorialize the future by building a clock deep in a mountain that is designed to run for 10,000 years.
These memorials are attempts to bring us closer to our ancestors, to say that we are still joined hand-to-hand across the centuries. In Vietnam, says Viet Thanh Nguyen, there are two burials. The first to return the body to the earth, and then the second, when the bones are dug up and brought closer to the village. We do the same.
When we commission memorials, we are trying to bring the bones closer to home. The memorials we build are a second burial. In all the current controversies about what to build and how, and what to tear down, we’ve lost track of why we build monuments. We want the counsel of our ancestors – edited, and chiseled into stone.
Invisible Monuments is about tribute, memory, and the summoning of the past.
Howard Mansfield has written for The New York Times, The Washington Post, American Heritage, The Threepenny Review, and other publications.
He has served as a writer and consultant for museums, written and performed a stage show with composer Ben Cosgrove that was the subject of an Emmy Award-winning film, and he has co-written a documentary film about “The Old Homestead: The Play of the Century.”
He is the author of thirteen books, including In the Memory House, of which The Hungry Mind Review said, “Now and then an idea suddenly bursts into flame, as if by spontaneous combustion. One instance is the recent explosion of American books about the idea of place… But the best of them, the deepest, the widest-ranging, the most provocative and eloquent is Howard Mansfield’s In the Memory House.”
Among his other books are Turn & Jump, The Bones of the Earth and The Same Ax, Twice, which The New York Times said was “filled with insight and eloquence. A memorable, readable, brilliant book on an important subject. It is a book filled with quotable wisdom.”
“Howard Mansfield has never written an uninteresting or dull sentence. All of his books are emotionally and intellectually nourishing,” said the writer and critic Guy Davenport. “He is something like a cultural psychologist along with being a first-class cultural historian. He is humane, witty, bright-minded, and rigorously intelligent. His deep subject is Time: how we deal with it and how it deals with us.”
His newest book to be published in October is Invisible Monuments: Tribute, Memory, and the Summoning of the Past. It's about the memorials we debate, dedicate, and then ignore.
We live in an era of monument building. Our monuments, often after fierce debate, are dedicated in ceremonies that try to bring life to the stone -- and then we walk away. The mute stones are left to the pigeons. Our grandest efforts at creating a shared, cultural memory melt to invisibility. Why?
Invisible Monuments looks at these moments of commemoration in the familiar and the unfamiliar. We visit the Vietnam Veterans Memorial, the Bunker Hill Monument, and a once- venerated World War I memorial in England. We journey to a little-known memorial that one grief-stricken family built stone-by-stone for their son lost in war, a place that still draws thousands each year.
And Invisible Monuments looks at the failure to commemorate in the recently rediscovered African Burial Grounds in Manhattan and Portsmouth, New Hampshire, and in the unmarked graves of the Irish immigrants who built the railroads in the woods of New Hampshire. We’re also introduced to an audacious attempt to memorialize the future by building a clock deep in a mountain that is designed to run for 10,000 years.
These memorials are attempts to bring us closer to our ancestors, to say that we are still joined hand-to-hand across the centuries. In Vietnam, says Viet Thanh Nguyen, there are two burials. The first to return the body to the earth, and then the second, when the bones are dug up and brought closer to the village. We do the same.
When we commission memorials, we are trying to bring the bones closer to home. The memorials we build are a second burial. In all the current controversies about what to build and how, and what to tear down, we’ve lost track of why we build monuments. We want the counsel of our ancestors – edited, and chiseled into stone.
Invisible Monuments is about tribute, memory, and the summoning of the past.
Howard Mansfield has written for The New York Times, The Washington Post, American Heritage, The Threepenny Review, and other publications.
He has served as a writer and consultant for museums, written and performed a stage show with composer Ben Cosgrove that was the subject of an Emmy Award-winning film, and he has co-written a documentary film about “The Old Homestead: The Play of the Century.”
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Displaying 1 - 2 of 2 reviews
January 11, 2022
Good for what it is: a coffee table book collecting the designs of past architects. This period of time definitely had a heady aura, with so many convinced that they could design a perfect future without really paying much attention to practical realities. The text is mostly there to provide context, but the quotes from the architects and others definitely added something.
xx-dnf-skim-reference
March 21, 2019A coffee table book for architects and SF writers. Too boring for me. I'm not much into movies, but I think I'd have preferred a documentary of this. Also note that it was written before 9-11, but also that it doesn't seem absolutely relevant that it's so old because it is a history.
Displaying 1 - 2 of 2 reviews