An English Farmhouse and Its Neighbourhood

by Geoffrey Grigson, Ed Kluz (Introduction), Percy HENNELL (Photographer)

Originally published in 1948, and edited by the artist John Piper, An English Farmhouse is Geoffrey Grigson's careful survey of the old English farmhouse, and its associated buildings, whether made from sarsen, thatch, timber, tile or brick. Grigson paints a vivid and human picture of rural life in the preceding centuries and creates a delicate weave of social history.

Genres: History

142 pages, Paperback

First published January 1, 1948

About the author

Grigson was educated at St John's School, Leatherhead, and at St Edmund Hall, Oxford. He first came to prominence in the 1930s as a poet, then as editor from 1933 of the influential poetry magazine New Verse. A teacher, journalist and broadcaster, later in life he was a noted critic, reviewer (for the New York Review of Books in particular), and compiler of many inventive and innovative anthologies. He published 13 collections of poetry, and wrote on travel, on art (notably works on Samuel Palmer, Wyndham Lewis and Henry Moore), on the English countryside, and on botany, among other subjects.
Geoffrey Grigson's first wife was Frances Galt (who died in 1937 of tuberculosis). With her, he founded New Verse. They had one daughter, Caroline (who was married to the designer Colin Banks). Grigson's second marriage was to Berta (Bertschy) Emma Kunert, who bore him two children, Anna and Lionel Grigson, the jazz musician and educator. Following their divorce, Grigson's third and last marriage was to Jane Grigson, née McIntire (1928–90), the writer on food and cookery. Their daughter is the cookery writer Sophie Grigson.
Geoffrey Grigson in his later life lived partly in Wiltshire, England, and partly in Trôo, a village in the Loir-et-Cher département in France, which features in his poetry. He died in Wiltshire in 1985.

Reviews

[Paul · Rating 4 out of 5]

There have been lots of books written about the fine architecture of our towns and cities, but there are fewer books about the homes that people lived and worked in our countryside. After World War 2, Geoffrey Grigson along with the photographer Percy Hennel was invited by the artist John Piper to look at the English Farmhouse. This was to more than an architectural study, rather it would be a consideration of post-war agriculture and contemplation of the state of rural England.

Rather than select a farmhouse in a known village, Grigson has used a lot of artistic licences and imagined one called Ashton Farm in the village called Netton. Neither of these places can be found on a map, but he makes it clear that the one that was chosen does exist. Or at least it did exist as even after the book was written the buildings had reached the point where they actually collapsed. And with that destruction, the link between the buildings and the landscape was gone forever. The structures that would come to replace them were anonymous steel framed and would come to be found all over the country in the end.

First, though he has to set the context, The farm that he describes throughout the book is nestled in the chalk of Wessex. It sits on the escarpment using the land above for crops and the lands below for grazing and hay. The farm has existed in one form or other since the Saxon times and there are very few metaled roads, but lots of paths and trackways.

Each chapter looks at a particular detail of the farm, from the sarsen stones that are used in conjunction with the chalk both of which need skilled craftsmen to cut and dress the stone. Where bricks have been used in the buildings, they can be dated by looking at their size. Pictures of walls made from chalk and brick are included to show construction methods.

Roofing materials were originally thatch, but some of the buildings on the farm use slate and there are instances of corrugated iron being used under rotting thatch to prolong the life of a roof. Timber was used extensively and there are some magnificent shots of the inside of barns showing the construction methods used. There is also a chapter on how the poorly maintained buildings are slowly crumbling and collapsing.

Believe it or not, this is the first book that I have read by Geoffrey Grigson, having only read books by his wife and daughter before this. Having got an interest in architecture, I did like this, especially the forensic detail that he goes into about the buildings. I did have the odd problem with it though, for me the thing that was lacking was not having a known place that he was referring to in each of the chapters. I get why he may have done it with privacy issues in mind, as the farm buildings that he refers to did seem to be very much a real place. That said I did enjoy this a lot. He has a wonderful way with words and a deep love of the place where these villages and farms can be found on the chalk downs. I bought another of his books recently, Country Writings, that I am going to move up the TBR.

[Callum Osment · Rating 3 out of 5]

hard to straightforwardly rate as a piece of prose but it certainly provides the information it is advertised for

[Matthew Eyre · Rating 5 out of 5]

Delightful analysis of one Farm and it's immediate surroundings, somewhere in southern England. Even since this books publication in 1948, the countryside my parents grew up in has largely disappeared. This is a well written account, but not cloying sentimental- just like the actual countryside they grew up in.