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Throwing Dice on a Chessboard:
Admittedly, during the past ten years the ever so lose strings of Fate have granted allowance both to the individual as well as to whole societies for choice and change of personal or the global future. But who will grab his or her chance? Who will face and kill the ferocious demons within? Will it be the ingenious girl who, with a discovery in hand should decide about her professional orientation, yet constantly puts herself down? The tragic mother ignorant of her own disposition or the lucky man who is self-healed from his insanity driven by both natural and technical phenomena? The tragic lover or the dominant triplet? They are all heroes of everyday life, struggling to overcome their dazzling soliloquy. Some of these figures fighting with the modern changes - so lovingly cajoled but simultaneously cunningly struck by the simplest technological advances. Who holds the strongest weapon? The realist or the dreamer? Both none and both, fiction and reality are inseparable siblings, organs of the same body; it is when seahorses finally obtain voice and self-consciousness, only to see their host dead. Yet when a man tragically loses his life, another fights against a fig tree that has sexually dominated him all through his life. A short story never ends... Put together, all the pieces of the puzzling Reality that this collection of short stories may create are nothing but a "Carl Jung imagery" only to prove once again, in a brand new way, that we are all following a solid Plan called "Synchronicity." Christos Rodoulla Tsiailis's short stories constitute some of the most original, contemporary art of Modern Greek Cypriot and English Literature, with great contribution to international Philosophy.
96 pages, Paperback
First published February 1, 2010
1 person is currently reading
47 people want to read
About the author
Christos R. Tsiailis
9 books113 followers(Greek text follows)
C. R. Tsiailis is a Greek Cypriot author, living in Nicosia. He is an English teacher, and a holder of Masters’ degree in the theory of theatre. His passion for writing consumes most of his time. He travels a lot, recording memories from everywhere, which he incarnates along with his observations on human behaviour, in all genres (poetry, short story, novel, theatre). His writing tends towards a blend of social, psychological and philosophical quest always with a strong tendency to science fiction.
His publications include short stories and poems in literary magazines ‘Anagnostis’, ‘ArtAdsence’, ‘Dianysma’, ‘Rogmes’, ‘Parousia’, ‘Poets and Dreamers’, etc., and in anthologies ‘Athens this evening’, ‘Fantasmagoria 2017: Dead-End’, ‘1st Cyprus Fiction Anthology: The River of Time’, ‘Strange Loves’, ‘Nicosia Beyond Barriers’, etc. He has received numerous distinctions in Panhellenic literary contests for poems, short stories and theatre plays, most recent the first prize in UNESCO poetry contest about the return of the Parthenon marbles to Greece. He is the author of "Throwing Dice On A Chessboard", 2010, "The Green Divorce", 2012, the sci-fi novel ‘Klotho Surfaces', April 2016, the short story collection “ΨΩΜΙ (=bread)” 2017, two poetry collections in 2021, “Oua” and “Symptoms”, and a poetry collection in 2022, “Ugga, bony historicism”. His latest book is "Mitra Urbana", translating as "Uterus Urbana". Selected work of the author has been translated in various languages (Spanish, Arabic, Uzbek, etc.). The writer also writes articles, interviews of artists and book reviews for literary magazines in Greece and other countries. He is occasionally a critic in literary contests.
Ο συγγραφέας Χρίστος Ρ. Τσιαήλης είναι Ελληνοκύπριος, κάτοικος Λευκωσίας. Είναι καθηγητής Αγγλικών, και κάτοχος Μάστερ στη θεωρία του θεάτρου. Το πάθος του για τη συγγραφή αναλώνει τον περισσότερό του χρόνο. Ταξιδεύει ασταμάτητα, αποτυπώνοντας μνήμες από παντού, τις οποίες μετενσαρκώνει μαζί με τις παρατηρήσεις του στην ανθρώπινη συμπεριφορά, σε όλα τα είδη (ποίηση, διήγημα, μυθιστόρημα, θέατρο). Η γραφή του τείνει προς ένα μίγμα κοινωνικής, ψυχολογικής και φιλοσοφικής αναζήτησης, πάντα με μια δυνατή τάση προς την επιστημονική φαντασία.
Ποιήματα και πεζογραφήματά του στην ελληνική και την αγγλική γλώσσα έχουν εμφανιστεί σε συλλογές, λογοτεχνικά περιοδικά, και σε ανθολογίες όπως τα ‘ArtAscent’, ‘Poets and Dreamers’, ‘Parousia’, ‘Αιολικά Γράμματα’, ‘Αναγνώστης’, ‘Diasporic Literature’, 'Nicosia Beyond Barriers', ‘Η Πόλη Αυτό Το Βράδυ: Αθήνα’, ‘Φαντασμαγορία 2017: Αδιέξοδο’, ‘Πρώτη Κυπριακή Ανθολογία του Φανταστικού: ‘Το Ποτάμι του Χρόνου’, 2017, ‘Παράξενοι Έρωτες’, 2017. Έχει λάβει πολλές διακρίσεις και επαίνους σε πανελλήνιους λογοτεχνικούς διαγωνισμούς, πιο πρόσφατο το Α’ βραβείο με το ποίημα ‘Η Δύναμη του Τριγώνου’, το οποίο πήρε το πρώτο βραβείο στον Πανελλήνιο Διαγωνισμό της UNESCO του 2018 για την επιστροφή των γλυπτών του Παρθενώνα.Στα βιβλία του συγγραφέα περιλαμβάνονται η συλλογή διηγημάτων ‘Throwing Dice on a Chessboard’, 2010, η ποιητική συλλογή ‘The Green Divorce’, 2012, το ‘Klotho Surfaces’, και το πρώτο μυθιστόρημα από την Τριλογία Επιστημονικής Φαντασίας – ‘The Omniconstants Trilogy’, 2016. Το πιο πρόσφατό του βιβλίο, ‘Ψωμί’, 2017, με τις εκδόσεις Γκοβόστης αποτελεί μια σπονδυλωτή συλλογή διηγημάτων. Επίσης έχει εκδώσει με τις εκδόσεις Γκοβόστης τις ποιητικές συλλογές "Συμπτώματα", 2021, ¨Ουά", 2021 και "Ούγκα - Οστικοί Ιστορισμοί", 2022. Μέρος του έργου του έχει μεταφραστεί σε διάφορες γλώσσες (ισπανικά, αραβικά, ουζμπεκικά, κ.α.).
Ο συγγραφέας αρθρογραφεί σε λογοτεχνικά περιοδικά. Έχει κληθεί ως κριτής σε διαγωνισμούς Λογοτεχνίας και εκπαιδευτής σε σεμινάρια λογοτεχνικής γραφής. Έχει μεταφράσει συλλογές ποίησης στα ελληνικά. Υπηρετεί την τέχνη του θεάτρου στη θέση του βοηθού σκηνοθέτη.
C. R. Tsiailis is a Greek Cypriot author, living in Nicosia. He is an English teacher, and a holder of Masters’ degree in the theory of theatre. His passion for writing consumes most of his time. He travels a lot, recording memories from everywhere, which he incarnates along with his observations on human behaviour, in all genres (poetry, short story, novel, theatre). His writing tends towards a blend of social, psychological and philosophical quest always with a strong tendency to science fiction.
His publications include short stories and poems in literary magazines ‘Anagnostis’, ‘ArtAdsence’, ‘Dianysma’, ‘Rogmes’, ‘Parousia’, ‘Poets and Dreamers’, etc., and in anthologies ‘Athens this evening’, ‘Fantasmagoria 2017: Dead-End’, ‘1st Cyprus Fiction Anthology: The River of Time’, ‘Strange Loves’, ‘Nicosia Beyond Barriers’, etc. He has received numerous distinctions in Panhellenic literary contests for poems, short stories and theatre plays, most recent the first prize in UNESCO poetry contest about the return of the Parthenon marbles to Greece. He is the author of "Throwing Dice On A Chessboard", 2010, "The Green Divorce", 2012, the sci-fi novel ‘Klotho Surfaces', April 2016, the short story collection “ΨΩΜΙ (=bread)” 2017, two poetry collections in 2021, “Oua” and “Symptoms”, and a poetry collection in 2022, “Ugga, bony historicism”. His latest book is "Mitra Urbana", translating as "Uterus Urbana". Selected work of the author has been translated in various languages (Spanish, Arabic, Uzbek, etc.). The writer also writes articles, interviews of artists and book reviews for literary magazines in Greece and other countries. He is occasionally a critic in literary contests.
Ο συγγραφέας Χρίστος Ρ. Τσιαήλης είναι Ελληνοκύπριος, κάτοικος Λευκωσίας. Είναι καθηγητής Αγγλικών, και κάτοχος Μάστερ στη θεωρία του θεάτρου. Το πάθος του για τη συγγραφή αναλώνει τον περισσότερό του χρόνο. Ταξιδεύει ασταμάτητα, αποτυπώνοντας μνήμες από παντού, τις οποίες μετενσαρκώνει μαζί με τις παρατηρήσεις του στην ανθρώπινη συμπεριφορά, σε όλα τα είδη (ποίηση, διήγημα, μυθιστόρημα, θέατρο). Η γραφή του τείνει προς ένα μίγμα κοινωνικής, ψυχολογικής και φιλοσοφικής αναζήτησης, πάντα με μια δυνατή τάση προς την επιστημονική φαντασία.
Ποιήματα και πεζογραφήματά του στην ελληνική και την αγγλική γλώσσα έχουν εμφανιστεί σε συλλογές, λογοτεχνικά περιοδικά, και σε ανθολογίες όπως τα ‘ArtAscent’, ‘Poets and Dreamers’, ‘Parousia’, ‘Αιολικά Γράμματα’, ‘Αναγνώστης’, ‘Diasporic Literature’, 'Nicosia Beyond Barriers', ‘Η Πόλη Αυτό Το Βράδυ: Αθήνα’, ‘Φαντασμαγορία 2017: Αδιέξοδο’, ‘Πρώτη Κυπριακή Ανθολογία του Φανταστικού: ‘Το Ποτάμι του Χρόνου’, 2017, ‘Παράξενοι Έρωτες’, 2017. Έχει λάβει πολλές διακρίσεις και επαίνους σε πανελλήνιους λογοτεχνικούς διαγωνισμούς, πιο πρόσφατο το Α’ βραβείο με το ποίημα ‘Η Δύναμη του Τριγώνου’, το οποίο πήρε το πρώτο βραβείο στον Πανελλήνιο Διαγωνισμό της UNESCO του 2018 για την επιστροφή των γλυπτών του Παρθενώνα.Στα βιβλία του συγγραφέα περιλαμβάνονται η συλλογή διηγημάτων ‘Throwing Dice on a Chessboard’, 2010, η ποιητική συλλογή ‘The Green Divorce’, 2012, το ‘Klotho Surfaces’, και το πρώτο μυθιστόρημα από την Τριλογία Επιστημονικής Φαντασίας – ‘The Omniconstants Trilogy’, 2016. Το πιο πρόσφατό του βιβλίο, ‘Ψωμί’, 2017, με τις εκδόσεις Γκοβόστης αποτελεί μια σπονδυλωτή συλλογή διηγημάτων. Επίσης έχει εκδώσει με τις εκδόσεις Γκοβόστης τις ποιητικές συλλογές "Συμπτώματα", 2021, ¨Ουά", 2021 και "Ούγκα - Οστικοί Ιστορισμοί", 2022. Μέρος του έργου του έχει μεταφραστεί σε διάφορες γλώσσες (ισπανικά, αραβικά, ουζμπεκικά, κ.α.).
Ο συγγραφέας αρθρογραφεί σε λογοτεχνικά περιοδικά. Έχει κληθεί ως κριτής σε διαγωνισμούς Λογοτεχνίας και εκπαιδευτής σε σεμινάρια λογοτεχνικής γραφής. Έχει μεταφράσει συλλογές ποίησης στα ελληνικά. Υπηρετεί την τέχνη του θεάτρου στη θέση του βοηθού σκηνοθέτη.
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Displaying 1 - 4 of 4 reviews
February 17, 2011
It is unusual for me to pick up and read a literary work, especially by a debut author. I am too busy a person to normally wander away from what I like the most, which is speculative fiction and non-fiction. I certainly wish I read 'literary' fiction more, and poetry, for that matter.
I am therefore very pleased to say that I managed the time and took the 'leap' to read Christos Rodoulla Tsiailis' short anthology, Throwing Dice On A Chessboard. It most certainly was worthwhile.
Before I give my general impression of the work, and provide some detail on each of the short stories, I should dispense with an important area of improvement needed in the work. Christos is a Greek Cypriot and English is not his first language. While I am astounded with Christos' mastery of elements of the English language, including an immense vocabulary, his work is unfortunately well represented with spelling, grammar and proofing issues. The classic (turning up several times in the first half reading of the anthology, is 'lose' versus 'loose' - fundamentally different meaning and hard to miss the eyesore). Accuracy of tense is another common issue. I wont belabor the point - this book needs a good editorial treatment, and probably indicative of a work that is self published.
BUT... and it is really important to 'but'-in - this flaw is seriously overshadowed by a clearly talented and well-developed writer. This man is definitely going places.
Some works of fiction have a style that is more poetic than narrative based. This is just such a case. While there are cases of choices of words that perhaps are not quite right from a broad English idiomatic viewpoint, Christos has succeeded in expanding narrative to a level where unique phrases ARE apt, poetic, penetrating. I am a writer and I have learned things about expression in the English language from Christos. I thank him for that, in itself.
Each of Christos' stories in this anthology are penetrating - loaded with metaphor and evocative imagery. There isn't a single character who is two-dimensional - in many cases they are four-dimensional, if it is at all possible.
Perhaps to suffer being labeled a generaliser in this critique, the stories focus fair and square on characters, and this is somewhat supported by his (an artistic piece in itself) preface.
None of Tsiailis' stories depict a normal world. Not one. They are super-normal, but by doing this, he provides the reader with a super-understanding of human nature, and what it is to be normal, and why 'normalcy' is in fact a lie.
This, perhaps, is what I like most about the anthology.
As I stated above his Preface is a piece of quality writing in itself. Tsiailis chose to write it almost like a literary essay - he makes a bold statement - there is no originality left in literature, so his stories will be a presentation of carefully produced thefts - but nothing is obvious in Christos' work - his imagery is centred around
the 'sounds' of smoke - he is deliberately obfuscating in his Preface and is in fact going to provide the reader with stories (smoke) that have sound. Originality in my mind.
The following are brief appraisals of each of the short stories:
White Night Stones - This was a great start to the anthology as it immediately presented Tsiailis' writing skills at its near-optimum. This story is essentially about a young girl's thoughts and revelations while attending a wedding function, and provides an insight into her world, which encompasses her family and her extended community. It is honest and delves deeply into her psyche, and it is
superimposed (presented, so to speak) via her growing understanding of the behavior of bats in the night garden outside the wedding function. Her growth of understanding of how bats can 'see' in the dark run parallel with her growth into a woman. It was a strong and penetrating piece.
Nilusha Thilangi Kariyawasam - This short story was nothing short of superb. Utterly superb. I cannot grasp why Christos chose to write such an insightful piece set in Sri Lanka, with Sri Lankan protagonists, but it worked - mightily well. The simple and devastatingly sad story of a woman's relationship with her daughter, and how it got complicated with her father, siblings and the nature of the community and society that these people were/are in, are revealed by simple second person discussion is impressive, and made the more readable by a hint, tinge of the religious supernatural. This is not a happy story, and yet it succeeds in part to uplift one's spirit. This anthology is worth buying just for this story.
A Black Car Radio - is one story that, for me, doesn't quite succeed in hitting its target, although again, is well written. Again the metaphors are skillfully constructed - the middle aged businessman, with complex psychological issues, finding his life centred around the
long journey to work and back, complicated by his unhealthy reliance on his radio and the tree-lined terrain lining the highway he was driving on. In my view Christos tried to push this too hard, to wring as much insight into the character as he could, where perhaps it was redundant to do so - I got it about halfway. Also, the conclusion - which I will not spoil for others - might have exploited the metaphor too far. Nevertheless, it was still a good read.
One SMS Behind - another very good story. Can't give anything away here, but I can say that this is the first story where there is a twist at the end. Superficially, the twist controls the story and yet, when revising what I read in the story as a whole, it is a secondary force. What makes this story very very good is its insight, depth of presentation of the main character. It captures - you can almost smell - the Mediterranean, young, party set, alive and convincing - youthful, energetic, indestructible (irony here), and yet set in context with the 'real world' outside. Perhaps more than anything, Christos is telling us that some realities are short lived, fleeting.
Hi, I'm Stephan; I Am A Triplet Child - this is a lovely short story, that on the surface is a vignette - a slice of a day of triplet children in a household, and yet it really is about the nature of the 'secret' behaviors, relationships betwixt multiple birth siblings, and how it further complicates as it extends to the rest of the family, friends and community (school in this case). This is not nearly as deep or penetrating as his other stories, but is rings of truth, and sensibly, he leaves the deepest undercurrents of being a triplet to our imagination.
Shallow Oceans - this is one of my less liked stories, but it was intriguing. I think, like A Black Car Radio, it tried too much. Again, I don't want to give too much away, but it, in my mind, is constructed of three parallel elements - a diver diving and what happens to him, the surrealistic affects of a brain being affected by some event during the dive, and a treatment of what consciousness is using the metaphor of the previous two elements. Tough gig in my mind. I don't think it quite worked, but there are very good surrealist scenes being portrayed. I felt put off by footnoting of neurological terminologies - I think the use of it is a symptom of the excessive effort Tsiailis is making.
The last three short stories - I will comment as one - they really are a triptych - Up There On The Fig Tree, The Coffin Maker, and The Hotel Owner - these three titles represents the three phases of Stavros, the protagonist. It is a depressing story of a man who was abused in a most unusual way through his childhood, and how this forms the kernel of his unusual, stunted, largely unhappy life. The fig tree is the key symbol in these three stories, which I will leave for you to discover. The tree is the tool by which he is so grievously stunted (like the tree itself), and it is the tree that becomes the raw material for the remainder of his life (in being there in his life, and by creating an ugly hole in his life in its absence). And yet life goes on, which is certainly the theme of the third story, and proves that some positivism can emerge from a long lifetime of darkness, incongruity. This is a very good story (stories - very unusual to do it this way, perhaps it should have been more structured so this is obvious from a title point of view), among Christos' best.
In summary, we have a wonderful, evocative writer here, and the only real negative of this anthology (other than it was in my mind too short), is the weakness in the English language. And yet, the strength of his themes, imagery and characterization transcends this to a high degree, making the majority of his stories highly worthwhile to read. Even the weaker stories (in my estimation) have merit, and contribute to the anthology as a whole.
I highly recommend this anthology to discerning, thinking readers.
I am therefore very pleased to say that I managed the time and took the 'leap' to read Christos Rodoulla Tsiailis' short anthology, Throwing Dice On A Chessboard. It most certainly was worthwhile.
Before I give my general impression of the work, and provide some detail on each of the short stories, I should dispense with an important area of improvement needed in the work. Christos is a Greek Cypriot and English is not his first language. While I am astounded with Christos' mastery of elements of the English language, including an immense vocabulary, his work is unfortunately well represented with spelling, grammar and proofing issues. The classic (turning up several times in the first half reading of the anthology, is 'lose' versus 'loose' - fundamentally different meaning and hard to miss the eyesore). Accuracy of tense is another common issue. I wont belabor the point - this book needs a good editorial treatment, and probably indicative of a work that is self published.
BUT... and it is really important to 'but'-in - this flaw is seriously overshadowed by a clearly talented and well-developed writer. This man is definitely going places.
Some works of fiction have a style that is more poetic than narrative based. This is just such a case. While there are cases of choices of words that perhaps are not quite right from a broad English idiomatic viewpoint, Christos has succeeded in expanding narrative to a level where unique phrases ARE apt, poetic, penetrating. I am a writer and I have learned things about expression in the English language from Christos. I thank him for that, in itself.
Each of Christos' stories in this anthology are penetrating - loaded with metaphor and evocative imagery. There isn't a single character who is two-dimensional - in many cases they are four-dimensional, if it is at all possible.
Perhaps to suffer being labeled a generaliser in this critique, the stories focus fair and square on characters, and this is somewhat supported by his (an artistic piece in itself) preface.
None of Tsiailis' stories depict a normal world. Not one. They are super-normal, but by doing this, he provides the reader with a super-understanding of human nature, and what it is to be normal, and why 'normalcy' is in fact a lie.
This, perhaps, is what I like most about the anthology.
As I stated above his Preface is a piece of quality writing in itself. Tsiailis chose to write it almost like a literary essay - he makes a bold statement - there is no originality left in literature, so his stories will be a presentation of carefully produced thefts - but nothing is obvious in Christos' work - his imagery is centred around
the 'sounds' of smoke - he is deliberately obfuscating in his Preface and is in fact going to provide the reader with stories (smoke) that have sound. Originality in my mind.
The following are brief appraisals of each of the short stories:
White Night Stones - This was a great start to the anthology as it immediately presented Tsiailis' writing skills at its near-optimum. This story is essentially about a young girl's thoughts and revelations while attending a wedding function, and provides an insight into her world, which encompasses her family and her extended community. It is honest and delves deeply into her psyche, and it is
superimposed (presented, so to speak) via her growing understanding of the behavior of bats in the night garden outside the wedding function. Her growth of understanding of how bats can 'see' in the dark run parallel with her growth into a woman. It was a strong and penetrating piece.
Nilusha Thilangi Kariyawasam - This short story was nothing short of superb. Utterly superb. I cannot grasp why Christos chose to write such an insightful piece set in Sri Lanka, with Sri Lankan protagonists, but it worked - mightily well. The simple and devastatingly sad story of a woman's relationship with her daughter, and how it got complicated with her father, siblings and the nature of the community and society that these people were/are in, are revealed by simple second person discussion is impressive, and made the more readable by a hint, tinge of the religious supernatural. This is not a happy story, and yet it succeeds in part to uplift one's spirit. This anthology is worth buying just for this story.
A Black Car Radio - is one story that, for me, doesn't quite succeed in hitting its target, although again, is well written. Again the metaphors are skillfully constructed - the middle aged businessman, with complex psychological issues, finding his life centred around the
long journey to work and back, complicated by his unhealthy reliance on his radio and the tree-lined terrain lining the highway he was driving on. In my view Christos tried to push this too hard, to wring as much insight into the character as he could, where perhaps it was redundant to do so - I got it about halfway. Also, the conclusion - which I will not spoil for others - might have exploited the metaphor too far. Nevertheless, it was still a good read.
One SMS Behind - another very good story. Can't give anything away here, but I can say that this is the first story where there is a twist at the end. Superficially, the twist controls the story and yet, when revising what I read in the story as a whole, it is a secondary force. What makes this story very very good is its insight, depth of presentation of the main character. It captures - you can almost smell - the Mediterranean, young, party set, alive and convincing - youthful, energetic, indestructible (irony here), and yet set in context with the 'real world' outside. Perhaps more than anything, Christos is telling us that some realities are short lived, fleeting.
Hi, I'm Stephan; I Am A Triplet Child - this is a lovely short story, that on the surface is a vignette - a slice of a day of triplet children in a household, and yet it really is about the nature of the 'secret' behaviors, relationships betwixt multiple birth siblings, and how it further complicates as it extends to the rest of the family, friends and community (school in this case). This is not nearly as deep or penetrating as his other stories, but is rings of truth, and sensibly, he leaves the deepest undercurrents of being a triplet to our imagination.
Shallow Oceans - this is one of my less liked stories, but it was intriguing. I think, like A Black Car Radio, it tried too much. Again, I don't want to give too much away, but it, in my mind, is constructed of three parallel elements - a diver diving and what happens to him, the surrealistic affects of a brain being affected by some event during the dive, and a treatment of what consciousness is using the metaphor of the previous two elements. Tough gig in my mind. I don't think it quite worked, but there are very good surrealist scenes being portrayed. I felt put off by footnoting of neurological terminologies - I think the use of it is a symptom of the excessive effort Tsiailis is making.
The last three short stories - I will comment as one - they really are a triptych - Up There On The Fig Tree, The Coffin Maker, and The Hotel Owner - these three titles represents the three phases of Stavros, the protagonist. It is a depressing story of a man who was abused in a most unusual way through his childhood, and how this forms the kernel of his unusual, stunted, largely unhappy life. The fig tree is the key symbol in these three stories, which I will leave for you to discover. The tree is the tool by which he is so grievously stunted (like the tree itself), and it is the tree that becomes the raw material for the remainder of his life (in being there in his life, and by creating an ugly hole in his life in its absence). And yet life goes on, which is certainly the theme of the third story, and proves that some positivism can emerge from a long lifetime of darkness, incongruity. This is a very good story (stories - very unusual to do it this way, perhaps it should have been more structured so this is obvious from a title point of view), among Christos' best.
In summary, we have a wonderful, evocative writer here, and the only real negative of this anthology (other than it was in my mind too short), is the weakness in the English language. And yet, the strength of his themes, imagery and characterization transcends this to a high degree, making the majority of his stories highly worthwhile to read. Even the weaker stories (in my estimation) have merit, and contribute to the anthology as a whole.
I highly recommend this anthology to discerning, thinking readers.
September 12, 2010
Throwing Dice On A Chessboard
Christos Tsiailis
ISBN: 9781449081119
AuthorHouse
Reviewed By Karynda Lewis
Official Apex Reviews Rating:
Regardless of whatever difficulties we may face, we all have the power to
shape our own fates. No matter how insurmountable our situations may seem, we
are equipped with all the necessary mental, physical, and spiritual tools we need
to overcome the obstacles that block our paths on the road of life. The only
problem? Whether or not we have the strength of faith to empower us to endure.
Such is the central premise of Throwing Dice On A Chessboard, the new
collection of short stories by author Christos Tsiailis. Throughout the pages of his
collection, Tsiailis introduces the reader to seven different characters, each facing
his/her own unique challenges. Far from superhuman icons, Tsiailis’ protagonists
are average, everyday figures to which readers are sure to relate, each with the
power to transform him/herself for the better – or worse. Just as we all are every
day, the characters in Throwing Dice On A Chessboard are faced with the everchanging
vicissitudes of life, and the ultimate success or failure of their efforts rests
on their individual abilities to heed the cosmic ebb and flow that perpetually
sways all of our actions. As such, Tsiailis’ insightful tome is drawn straight from the
pages of everyday life, particularly when it comes to the significance of the
ongoing battles we wage against the demons within us all. An enlightening read.
Christos Tsiailis
ISBN: 9781449081119
AuthorHouse
Reviewed By Karynda Lewis
Official Apex Reviews Rating:
Regardless of whatever difficulties we may face, we all have the power to
shape our own fates. No matter how insurmountable our situations may seem, we
are equipped with all the necessary mental, physical, and spiritual tools we need
to overcome the obstacles that block our paths on the road of life. The only
problem? Whether or not we have the strength of faith to empower us to endure.
Such is the central premise of Throwing Dice On A Chessboard, the new
collection of short stories by author Christos Tsiailis. Throughout the pages of his
collection, Tsiailis introduces the reader to seven different characters, each facing
his/her own unique challenges. Far from superhuman icons, Tsiailis’ protagonists
are average, everyday figures to which readers are sure to relate, each with the
power to transform him/herself for the better – or worse. Just as we all are every
day, the characters in Throwing Dice On A Chessboard are faced with the everchanging
vicissitudes of life, and the ultimate success or failure of their efforts rests
on their individual abilities to heed the cosmic ebb and flow that perpetually
sways all of our actions. As such, Tsiailis’ insightful tome is drawn straight from the
pages of everyday life, particularly when it comes to the significance of the
ongoing battles we wage against the demons within us all. An enlightening read.
June 23, 2011
To say that this is an interesting piece of work to read is an understatement. I am not a deep thinker, nor do I feel that is going to change anytime soon, so it is my guess that much of the deep meaning and symbolism used is way, way over my head. That doesn’t mean I didn’t enjoy this read; that just means if my I.Q. was a bit higher I would have understood more of what was going on here. This is a serious set of short stories, and let’s not lose sight of the fact that English is not the author’s first language, and that this is a self-published work. Add this all up and you guessed it, a very good eclectic read. The read is chock full of stuff: different directions, emotions and insights, basically just an intense read.
Here is the synopsis:
“7 short stories. 7 ordinary heroes. Who will face and kill the ferocious demons within? Who holds the strongest weapon? The realist or the dreamer? Both none and both, fiction and reality are inseparable siblings, organs of the same body; it is when seahorses finally obtain voice and self-consciousness, only to see their host dead. Yet when a man tragically loses his life, another fights against a fig tree that has sexually dominated him all through his life. A short story never ends . . . Or might it be the ingenious girl who, with a discovery in hand should decide about her professional orientation, yet constantly puts herself down? The tragic mother ignorant of her own disposition or the lucky man who is self-healed from his insanity driven by both natural and technical phenomena? The tragic lover or the dominant triplet? They are all heroes of everyday life, struggling to overcome their dazzling soliloquy. Some of these figures fighting with the modern changes - so lovingly cajoled but simultaneously cunningly struck by the simplest technological advances. Admittedly, during the past ten years the ever so lose strings of Fate have granted allowance both to the individual as well as to whole societies for choice and change of personal or their global future. But who of all them will grab his or her chance? Put together, all the pieces of the puzzling Reality that this collection of short stories may create are nothing but a "Carl Jung imagery" only to prove once again, in a brand new way, that we are all following a solid Plan called "Synchronicity". Christos Rodoulla Tsiailis's short stories constitute some of the most original, contemporary art of Modern Greek Cypriot and English Literature, with great contribution to international Philosophy.”
Things have changed around here. I am now the published author by Trestle Press of “I Have Chrome Balls, Don’t You?” an “In Between The Collaborations”, “Down Low- Dead” with Vincent Zandri, “The Jersey Shore Has Eyes” with Big Daddy Abel”, “G.S.I Gelati’s Scoop Investigations Psychotic Detectives” with Thomas White, “Who Whacked The Blogger” with Benjamin Sobieck,“Thad and The G-Man’s Most Awesome Adventure” with Thad Brown , “Hotel Beaumont” with B.R. Stateham, “Bring Us Your Living…Now!” with HR Toye, “The Edge of Cataclysmic” with Big Daddy Abel, “The Ultimate Six-Pack” ,”Fangs,Inc.” with Laurie Bowler and the soon to be released “A Prince in Trenton ,Seriously?” with Mark Miller . All the stories are available @ Amazon, Barnes & Nobles and Smashwords. I am also the host of the wildly popular The G-ZONE blogtalk radio show. Thanks for stopping by today; We will see you tomorrow. Have a great day. http://www.gelatisscoop.blogspot.com
Here is the synopsis:
“7 short stories. 7 ordinary heroes. Who will face and kill the ferocious demons within? Who holds the strongest weapon? The realist or the dreamer? Both none and both, fiction and reality are inseparable siblings, organs of the same body; it is when seahorses finally obtain voice and self-consciousness, only to see their host dead. Yet when a man tragically loses his life, another fights against a fig tree that has sexually dominated him all through his life. A short story never ends . . . Or might it be the ingenious girl who, with a discovery in hand should decide about her professional orientation, yet constantly puts herself down? The tragic mother ignorant of her own disposition or the lucky man who is self-healed from his insanity driven by both natural and technical phenomena? The tragic lover or the dominant triplet? They are all heroes of everyday life, struggling to overcome their dazzling soliloquy. Some of these figures fighting with the modern changes - so lovingly cajoled but simultaneously cunningly struck by the simplest technological advances. Admittedly, during the past ten years the ever so lose strings of Fate have granted allowance both to the individual as well as to whole societies for choice and change of personal or their global future. But who of all them will grab his or her chance? Put together, all the pieces of the puzzling Reality that this collection of short stories may create are nothing but a "Carl Jung imagery" only to prove once again, in a brand new way, that we are all following a solid Plan called "Synchronicity". Christos Rodoulla Tsiailis's short stories constitute some of the most original, contemporary art of Modern Greek Cypriot and English Literature, with great contribution to international Philosophy.”
Things have changed around here. I am now the published author by Trestle Press of “I Have Chrome Balls, Don’t You?” an “In Between The Collaborations”, “Down Low- Dead” with Vincent Zandri, “The Jersey Shore Has Eyes” with Big Daddy Abel”, “G.S.I Gelati’s Scoop Investigations Psychotic Detectives” with Thomas White, “Who Whacked The Blogger” with Benjamin Sobieck,“Thad and The G-Man’s Most Awesome Adventure” with Thad Brown , “Hotel Beaumont” with B.R. Stateham, “Bring Us Your Living…Now!” with HR Toye, “The Edge of Cataclysmic” with Big Daddy Abel, “The Ultimate Six-Pack” ,”Fangs,Inc.” with Laurie Bowler and the soon to be released “A Prince in Trenton ,Seriously?” with Mark Miller . All the stories are available @ Amazon, Barnes & Nobles and Smashwords. I am also the host of the wildly popular The G-ZONE blogtalk radio show. Thanks for stopping by today; We will see you tomorrow. Have a great day. http://www.gelatisscoop.blogspot.com
September 13, 2010
I really enjoyed this collection of short stories. My absolute favorite has to be "Nilusha Thilangi Kariyawasam" and it's about a conversation that takes place, impossible so it seems, but there it is, plain as day. I highly recommend this book to whomever wants something different, but at the same time a quick read.
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