What do you think?
Rate this book
Magical Storybook Treasury
Three favorite classics- Pinocchio , Alice in Wonderland , and The Wonderful Wizard of Oz -make this collection an excellent gift for any child. Beautifully illustrated by Greg Hildebrandt, these well-loved stories follow Pinocchio, as he tries to become a real boy; tumbles down a rabbit hole with Alice; and skips down the Yellow Brick Road with Dorothy and her friends. Colorful and engaging, this collection will warm the hearts of readers young and old, all at a bargain price.
- GenresFairy Tales
184 pages, Hardcover
First published September 25, 2006
11 people want to read
About the author
Greg Hildebrandt
140 books23 followersGreg and Tim Hildebrandt, known as the Brothers Hildebrandt, were American twin brothers who worked collaboratively as fantasy and science fiction artists for many years, produced illustrations for comic books, movie posters, children's books, posters, novels, calendars, advertisements, and trading cards.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
February 3, 2020
I've already read a few of Greg Hildebrandt's fairytales this month, so I figured why not read his magical storybook treasury and stack his shelf completely?! Since I covered his Alice in Wonderland already I'll keep my review focused on the other two sotires in this collection: the Wonderful Wizard of Oz and Pinocchio. Neither of these stories are particular favourites of mine (the Wizard of Oz being far too harsh in its judgement of witches and Pinocchio being centred around an essentially stupid and selfish little boy), but I really like Hildebrandt's illustrations none the less. Both stories are obviously very shortened to fit into the confines of this book, so we suffer slightly with the illustrations and text occasionally mismatching, but we still get the gist of the stories and most of the best illustrations.
The paintings for the Wizard of Ox were particularly well done, I thought, since Hildebrant's bright palette captures the vibrancy of the colour inspired cities. And yet, what makes this story even more of a triumph (remember, I'm not a fan of Ox) are Hildebrant's shifts to other styles of illustration. Before Dorothy is taken to Oz the illustrations are black and white, and retain a sketchlife quality, mirroring the description of her dull and grey existence. Colours pop off the page once she reaches Oz, but when she journies to the western regions to face the witch Hildebrandt switches styles again to flect the danger that Dorothy is in and the negative influence of the Witch of the West. The Witch herself is quite a scary character (even though her demise by dishwater is poor storytelling) and the dramatic pose she strikes when conjuring the winged monkies sets a distinct tone for a powerful (if evil) ruler.
The Pinoccho illustrations didn't strike me as all that exciting in comparison, largely because the settings were far more domestic. The only standouts for me were when Pinocchio visits the puppet theatre and encounters the Blue Fairy, but that's about all I cared for. The story just doesn't have the same intrinsic magical qualities as the others Hildebrandt has illustrated, so his artwork doesn't have nearly as much magical inspiration to work with.
The paintings for the Wizard of Ox were particularly well done, I thought, since Hildebrant's bright palette captures the vibrancy of the colour inspired cities. And yet, what makes this story even more of a triumph (remember, I'm not a fan of Ox) are Hildebrant's shifts to other styles of illustration. Before Dorothy is taken to Oz the illustrations are black and white, and retain a sketchlife quality, mirroring the description of her dull and grey existence. Colours pop off the page once she reaches Oz, but when she journies to the western regions to face the witch Hildebrandt switches styles again to flect the danger that Dorothy is in and the negative influence of the Witch of the West. The Witch herself is quite a scary character (even though her demise by dishwater is poor storytelling) and the dramatic pose she strikes when conjuring the winged monkies sets a distinct tone for a powerful (if evil) ruler.
The Pinoccho illustrations didn't strike me as all that exciting in comparison, largely because the settings were far more domestic. The only standouts for me were when Pinocchio visits the puppet theatre and encounters the Blue Fairy, but that's about all I cared for. The story just doesn't have the same intrinsic magical qualities as the others Hildebrandt has illustrated, so his artwork doesn't have nearly as much magical inspiration to work with.
Displaying 1 of 1 review