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Spirit of Wood: The Art of Malay Woodcarving
In Malaysia, woodcarvers are venerated as artists who have a mystical affinity with wood. This collection of over 250 photographs and line drawings explores the mystical connection between Malaysian woodcarvers and their craft.
176 pages, Hardcover
First published January 1, 2003
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About the author
Farish A. Noor
25 books106 followersDr. Farish Ahmad Noor (born 15 May 1967 in Georgetown, Penang, Malaysia) is a Malaysian political scientist and historian and is presently a Senior Fellow at the Nanyang Technological University in Singapore. At the NTU he is part of the research cluster on the contemporary development of trans-national religio-political networks across South and Southeast Asia, where he is studying the phenomenon of Muslim, Christian, Hindu and Buddhist religio-political mobilisation in the public domain.
He was formerly attached to Zentrum Moderner Orient (Centre for Modern Oriental Studies) in Berlin, Germany, Sciences-Po Paris, the Institute for the Study of Muslim Society (ISIMM, Ecole des haute etudes et sciences sociale, EHESS), Paris and the International Institute for the Study of the Muslim World (ISIM), Leiden, Netherlands. Dr. Noor's teaching credits include the Centre for Civilisational Dialogue, University of Malaya, the Institute for Islamic Studies, Free University Berlin, Sunan Kalijaga Islamic University (Jogjakarta), Muhamadiyah University Surakarta and Nanyang Technological University presently.
At NTU/RSIS he teaches two courses: (1) History, Society and Politics of Malaysia and (2) Introduction to Discourse Analysis. The first is part of the RSIS area studies curricula (which also covers Indonesia) while the second is a foundational course in Philosophy of Language, Linguistics and Semiotics with a heavy emphasis on Critical Theory as developed by the Essex School of Discourse Analysis.
He received his BA in Philosophy & Literature from the University of Sussex in 1989, before studying for an MA in Philosophy at the same University in 1990, an MA in South-East Asian Studies at the School of Oriental and African Studies in London, before completing his PhD at the University of Essex in 1997 in the field of governance and politics.
Dr Noor also runs a research site www.othermalaysia.org along with Dr Yusseri Yusoff, which looks at the history of Malaysia from an alternative, deconstructive angle and which attempts to demonstrate the constructiveness and contingency behind historical development, particularly of nation-states from the pre-colonial to post-colonial era.
Over the past ten years he has also been researching the phenomenon of transnational and translocal religio-political movements, including missionary movements such as the Tablighi Jama'at and its networks from South to Southeast Asia; as well as the development of religio-politics in South and Southeast Asia, looking at the rise of Muslim, Christian and Hindu political-religious revivalism in particular.
His other interests include antiques and material history, and he has written about the plastic arts of Southeast Asia, focusing on things such as the Indonesian-Malaysian keris to the development of woodcarving and architecture.
Farish has also appeared in the semi-documentary film The Big Durian (film), directed by Amir Muhammad.
He was formerly attached to Zentrum Moderner Orient (Centre for Modern Oriental Studies) in Berlin, Germany, Sciences-Po Paris, the Institute for the Study of Muslim Society (ISIMM, Ecole des haute etudes et sciences sociale, EHESS), Paris and the International Institute for the Study of the Muslim World (ISIM), Leiden, Netherlands. Dr. Noor's teaching credits include the Centre for Civilisational Dialogue, University of Malaya, the Institute for Islamic Studies, Free University Berlin, Sunan Kalijaga Islamic University (Jogjakarta), Muhamadiyah University Surakarta and Nanyang Technological University presently.
At NTU/RSIS he teaches two courses: (1) History, Society and Politics of Malaysia and (2) Introduction to Discourse Analysis. The first is part of the RSIS area studies curricula (which also covers Indonesia) while the second is a foundational course in Philosophy of Language, Linguistics and Semiotics with a heavy emphasis on Critical Theory as developed by the Essex School of Discourse Analysis.
He received his BA in Philosophy & Literature from the University of Sussex in 1989, before studying for an MA in Philosophy at the same University in 1990, an MA in South-East Asian Studies at the School of Oriental and African Studies in London, before completing his PhD at the University of Essex in 1997 in the field of governance and politics.
Dr Noor also runs a research site www.othermalaysia.org along with Dr Yusseri Yusoff, which looks at the history of Malaysia from an alternative, deconstructive angle and which attempts to demonstrate the constructiveness and contingency behind historical development, particularly of nation-states from the pre-colonial to post-colonial era.
Over the past ten years he has also been researching the phenomenon of transnational and translocal religio-political movements, including missionary movements such as the Tablighi Jama'at and its networks from South to Southeast Asia; as well as the development of religio-politics in South and Southeast Asia, looking at the rise of Muslim, Christian and Hindu political-religious revivalism in particular.
His other interests include antiques and material history, and he has written about the plastic arts of Southeast Asia, focusing on things such as the Indonesian-Malaysian keris to the development of woodcarving and architecture.
Farish has also appeared in the semi-documentary film The Big Durian (film), directed by Amir Muhammad.
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Displaying 1 - 4 of 4 reviews
October 13, 2025
ada makna pada setiap ukiran kayu.
September 13, 2025
Spirit of Wood invites the reader into the quiet world of Malay woodcarving, where every curve and motif carries echoes of faith and nature. Farish Noor balances vivid photography with thoughtful reflections on how craft, environment, and spirituality meet in the hands of traditional carvers.
For someone exploring the meanings embedded in Malay architecture, the book feels like a companion text rather than a mere reference. Its pages reveal how floral arabesques, flowing geometry, and careful workmanship are not only beautiful but also reminders of divine unity and remembrance (dhikr). Reading it strengthens my own appreciation of how art, belief, and built form are intertwined, and encourages me to keep looking for those quiet spiritual resonances in my own research and teaching.
For someone exploring the meanings embedded in Malay architecture, the book feels like a companion text rather than a mere reference. Its pages reveal how floral arabesques, flowing geometry, and careful workmanship are not only beautiful but also reminders of divine unity and remembrance (dhikr). Reading it strengthens my own appreciation of how art, belief, and built form are intertwined, and encourages me to keep looking for those quiet spiritual resonances in my own research and teaching.
April 29, 2015
Great insight into an often overlooked art.
Displaying 1 - 4 of 4 reviews