William Egginton argues that the notion of the ethical cannot be understood outside of its relation to perversity―that is, the impulse to do what one knows and feels is wrong. The allure of the perverse, moreover, should not be understood as merely the necessary obverse of ethically motivated behavior; rather, from the perspective of a psychoanalytic understanding of the ethical, the two drives are structurally identical. This discovery leads the author to engagements with deconstructive thought and with contemporary gender theory. In the first, he shows that the insistent resurgence of the ethical fault-line inevitably drives even the most stalwart atheism to a theological moment. In the second, he argues that while “female philosophy” has successfully repudiated the subject-centered exceptionalism of “male philosophy,” it is precisely to the extent that it is understood to offer a kind of release from the perversity of ethics that it must fail as ethical utterances.
William Egginton is a literary critic and philosopher. He has written extensively on a broad range of subjects, including theatricality, fictionality, literary criticism, psychoanalysis and ethics, religious moderation, and theories of mediation. William Egginton was born in Syracuse, New York in 1969. He received his PhD in Comparative Literature from Stanford University in 1999. His doctoral thesis, "Theatricality and Presence: a Phenomenology of Space and Spectacle in Early Modern France and Spain," was written under the direction of Hans Ulrich Gumbrecht. He currently resides with his wife, Bernadette Wegenstein, and their three children, in Baltimore, Maryland. William Egginton is the Decker Professor in the Humanities and Director of the Alexander Grass Humanities Institute at the Johns Hopkins University, where he teaches on Spanish and Latin American literature, literary theory, and the relation between literature and philosophy.