Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts most of cinema to shame. Quality Popular Television looks at this new category of 'cult' television (mostly US-produced) and the reasons for its emergence. Looking at shows as diverse as Ally McBeal, Martial Law, Buffy, Lois and Clark, Star The Next Generation and Ellen the book examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. This important new book provides an invaluable window on transformations in contemporary television culture.
Once in a while it's fun to read these kinds of 'serious' treatments of TV. This isn't the best of them, but it does at least include the line: 'Understood neither as deviant aberrations nor passing stages in a heteronormative telos, [the TV show] "Friends'" playful explorations of homoeroticism as well as heteroeroticism and heterosociality undergird its rethinkings of family and kinship.' There's something faintly poetic about that.