The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition ++++British LibraryT106577Anonymous. By Mrs. Crisp. With a list of printed for C. Bathurst, 1769. 2v., map; 8
A very quick read and is part two of two parts by Elizabeth Marsh Crisp written in 1756. In the two-volume set, Crisp recounts her time as a captive in Morocco. Marsh was sailing from Gibraltar to England where she had planned to reunite with her fiance. She was traveling with a male companion, a merchant name James Crisp who was merely escorting her on the trip.
In volume two, Marsh recounts her time in Morocco as a captive and the distressing situation she found herself in. When meeting with the women of the court of Prince Sidi Mohammed, she happened to try to repeat some words unknown to her in the local native tongue. It turned out that she had supposedly renounced Christianity and accepted Islam as her religion, becoming a Moor. The prince attempted to make her his concubine, at times beating her into submission. This endured for months before peace talks commenced that could possibly free her. Eventually, she would be sent to Salé to hopefully await her release.
This is a wonderful piece of primary resource as a first-person narrative by a female captive in early modern Mediterranean history.
I think this is a fascinating read. The way that Elizabeth Marsh frames her narrative around her own romance is incredibly savvy... More to come regarding a review, but I must just say that this book is trashy, but it is smart.