Dr. Alfred Werner is an authority on modern French art and has written numerous books on the subject. He traces Dufy's style from its academic beginnings and late-Impressionist phase through the revolutionary impact of of Matisse and the Fauves, with whom Dufy exhibited in the Salon d'Automne of 1906. Then he examines the influence of Cezanne and Cubism, and the years of study and experimentation by which Dufy arrived at his own highly individualistic style. 10x13", 168 pp., b&w illustrations, 48 tipped-in color plates.
Alfred Werner (March 31 1911–July 14 1979) (born Alfred Siegfried Weintraub) was a prominent Austro-American art critic, historian, and author who specialized in 19th and 20th-century European and American art, particularly modern art and Jewish artists.
After surviving the Dachau concentration camp, he moved to New York and authored numerous monographs on painters like Chagall, Modigliani, and Soutine.
Werner also wrote for Arts magazine, The New York Times, and Commentary, providing critical analysis of exhibitions and artists.