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The Idol Demolished by Its Own Priest: an Answer to Cardinal Wiseman's Lectures on Transubstantiation
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336 pages, Paperback
First published January 1, 1919
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About the author
James Sheridan Knowles
307 books1784-1862
James Sheridan Knowles (12 May 1784 – 30 November 1862), Irish dramatist and actor, was born in Cork.
His father was the lexicographer James Knowles (1759–1840), cousin of Richard Brinsley Sheridan. The family removed to London in 1793, and at the age of fourteen Knowles published a ballad entitled The Welsh Harper, which, set to music, was very popular. The boy's talents secured him the friendship of William Hazlitt, who introduced him to Charles Lamb and Samuel Taylor Coleridge. He served for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become pupil of Dr Robert Willan (1757–1812). He obtained the degree of M.D., and was appointed vaccinator to the Jennerian Society.
Although Dr Willan generously offered him a share in his practice, he decided to forsake medicine for the stage, making his first appearance as an actor probably at Bath, and playing Hamlet at the Crow Theatre, Dublin. At Wexford he married, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810 he wrote Leo, in which Edmund Kean acted with great success; another play, Brian Boroihme, written for the Belfast Theatre in the next year, also drew crowded houses, but his earnings were so small that he was obliged to become assistant to his father at the Belfast Academical Institution. In 1817 he removed from Belfast to Glasgow, where, besides conducting a flourishing school, he continued to write for the stage.
His first important success was Caius Gracchus, produced at Belfast in 1815; and his Virginius, written for Edmund Kean, was first performed in 1820 at Covent Garden. In William Tell (1825), Knowles wrote for William Charles Macready one of his favorite parts. His best-known play, The Hunchback, was produced at Covent Garden in 1832, and Knowles won praise acting in the work as Master Walter. The Wife was brought out at the same theatre in 1833; and The Love Chase in 1837.
In his later years he forsook the stage for the pulpit, and as a Baptist preacher attracted large audiences at Exeter Hall and elsewhere. He published two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combated the special doctrines of the Roman Catholic Church. Knowles was for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel. In old age he befriended the young Edmund Gosse, whom he introduced to Shakespeare. Knowles makes a happy appearance in Gosse's Father and Son. He died at Torquay on 30 November 1862.
A full list of the works of Knowles and of the various notices of him will be found in the Life (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who was well known as a journalist. It was translated into German.
James Sheridan Knowles (12 May 1784 – 30 November 1862), Irish dramatist and actor, was born in Cork.
His father was the lexicographer James Knowles (1759–1840), cousin of Richard Brinsley Sheridan. The family removed to London in 1793, and at the age of fourteen Knowles published a ballad entitled The Welsh Harper, which, set to music, was very popular. The boy's talents secured him the friendship of William Hazlitt, who introduced him to Charles Lamb and Samuel Taylor Coleridge. He served for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become pupil of Dr Robert Willan (1757–1812). He obtained the degree of M.D., and was appointed vaccinator to the Jennerian Society.
Although Dr Willan generously offered him a share in his practice, he decided to forsake medicine for the stage, making his first appearance as an actor probably at Bath, and playing Hamlet at the Crow Theatre, Dublin. At Wexford he married, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810 he wrote Leo, in which Edmund Kean acted with great success; another play, Brian Boroihme, written for the Belfast Theatre in the next year, also drew crowded houses, but his earnings were so small that he was obliged to become assistant to his father at the Belfast Academical Institution. In 1817 he removed from Belfast to Glasgow, where, besides conducting a flourishing school, he continued to write for the stage.
His first important success was Caius Gracchus, produced at Belfast in 1815; and his Virginius, written for Edmund Kean, was first performed in 1820 at Covent Garden. In William Tell (1825), Knowles wrote for William Charles Macready one of his favorite parts. His best-known play, The Hunchback, was produced at Covent Garden in 1832, and Knowles won praise acting in the work as Master Walter. The Wife was brought out at the same theatre in 1833; and The Love Chase in 1837.
In his later years he forsook the stage for the pulpit, and as a Baptist preacher attracted large audiences at Exeter Hall and elsewhere. He published two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combated the special doctrines of the Roman Catholic Church. Knowles was for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel. In old age he befriended the young Edmund Gosse, whom he introduced to Shakespeare. Knowles makes a happy appearance in Gosse's Father and Son. He died at Torquay on 30 November 1862.
A full list of the works of Knowles and of the various notices of him will be found in the Life (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who was well known as a journalist. It was translated into German.
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Displaying 1 of 1 review
November 16, 2018
Seven stories, seven happy endings. Sort of.
'Lonely Valleys' is a circular story about a steady eddy who almost looses the love of his life twice, first with the mother and then with the daughter. It's a fine story.
In 'The Egyptian Chariot' an ex-con who found Jesus while inside tries to go straight and raise his sick daughter before running into a criminal associate from his past. Brooding and atmospheric.
'The Flower of Spain' sees a sixteen year old Florentine girl falls in love with the bullfighter who serenades her beautiful older sister, a sibling rivalry escalates rapidly into an assassination.
The protagonist of 'Tol'able David' is this time a sixteen year old boy eager to reach manhood and forced to do so when some bad folk move in nearby and attack the older brother he idolises. A silent film adaptation of the story is still considered an early masterpiece of American cinema.
A chauvinistic owner of a bakery business wishes his ailing wife would die so he can marry her paid companion in 'Brear.' I enjoyed the line describing the awful man's pleasure at considering 'thousands of people, men, women and children, waiting for his loaves of perhaps suffering through the inability to buy them.'
'Rosemary Roselle'' is a Civil War story, the conflict bringing together an orphaned Southern belle and the windowed Northern teacher who used to mark her essays by correspondence. An excellent tale, it would have benefited from being longer, the ending was too abrupt.
Lastly, and probably leastly,, 'Therush in the Hedge' a young tramp with a voice fit for opera is mentored by an old opium addict who used to play in an orchestra before his drug habit ruined him.
The novel I read by Hergesheimer a while ago was a flawed potboiler wrapped in lush, verbose prose. None of these stories were in that mould.
'Lonely Valleys' is a circular story about a steady eddy who almost looses the love of his life twice, first with the mother and then with the daughter. It's a fine story.
In 'The Egyptian Chariot' an ex-con who found Jesus while inside tries to go straight and raise his sick daughter before running into a criminal associate from his past. Brooding and atmospheric.
'The Flower of Spain' sees a sixteen year old Florentine girl falls in love with the bullfighter who serenades her beautiful older sister, a sibling rivalry escalates rapidly into an assassination.
The protagonist of 'Tol'able David' is this time a sixteen year old boy eager to reach manhood and forced to do so when some bad folk move in nearby and attack the older brother he idolises. A silent film adaptation of the story is still considered an early masterpiece of American cinema.
A chauvinistic owner of a bakery business wishes his ailing wife would die so he can marry her paid companion in 'Brear.' I enjoyed the line describing the awful man's pleasure at considering 'thousands of people, men, women and children, waiting for his loaves of perhaps suffering through the inability to buy them.'
'Rosemary Roselle'' is a Civil War story, the conflict bringing together an orphaned Southern belle and the windowed Northern teacher who used to mark her essays by correspondence. An excellent tale, it would have benefited from being longer, the ending was too abrupt.
Lastly, and probably leastly,, 'Therush in the Hedge' a young tramp with a voice fit for opera is mentored by an old opium addict who used to play in an orchestra before his drug habit ruined him.
The novel I read by Hergesheimer a while ago was a flawed potboiler wrapped in lush, verbose prose. None of these stories were in that mould.
Displaying 1 of 1 review