If teachers want to create positive change in the lives of their students, then they must first be able to create positive change in their own lives. This book describes a powerful professional development approach that merges the scholarship of critical pedagogy with the Theatre of the Oppressed. Participants “act up” in order to explore real-life scenarios and rehearse difficult conversations they are likely to have with colleagues, students, administrators, and parents. The authors have practiced the theatrical strategies presented here with pre- and in-service teachers in numerous contexts, including college courses, professional development seminars, and PreK–12 classrooms. They include step-by-step instructions and vivid photographs to help readers use these revolutionary theatre strategies in their own contexts for a truly unique learning experience. “Offers a unique and compelling model for teacher professional development and its transformative potential.” ― Carol D. Lee , Northwestern University “If teaching is performance, as the saying goes, then all teachers have the ability―indeed, the right and joy―to eduACT. ―From the Foreword by Johnny Saldaña , Arizona State University “By embodying the constraints that teachers face in the classroom and beyond, we witness teachers who begin to problem-solve together and to articulate and frame dilemmas in ways that can help make solutions more evident.” ―From the Afterword by Kris D. Gutiérrez , Graduate School of Education and Information Studies, University of California, Los Angeles, and President of AERA (2010-2011) “Through play, fun, games, and theater, Melisa Cahnmann-Taylor and Mariana Souto-Manning recapture the joy and energy inherent―but too often forgotten―in teaching.” ― Sonia Nieto , Professor Emerita, University of Massachusetts, Amherst, author of The Light in Their Creating Multicultural Learning Communities “I can't wait until our next ‘therapeutic session’ together. I realize how much our games and performances help every time I am face to face with the ‘surreal’ in the classroom. It does something to my subconscious that helps me take and change things with sympathy and with a sense of humor.” ― Act Up! participant
Very cool approaches to bringing Boal's Theater of the Oppressed into classrooms and trainings. I used several of these exercises in a workshop I ran with good results!