Through precise and inventive readings of Kant, Heidegger and Benjamin, Weber demonstrates how key aesthetic categories such as from are transformed in a way that anticipates and participates in the radical shift from a work-oriented to a medium-oriented conception of art and reality.
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The most entertaining part of this book was when Weber completely eviscerates an interviewer for misapprehending fundamental theses of deconstruction. Derrideans are terrifying people.