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Necronomicon Book Three: The Journal of Horror and Erotic Cinema
Continuing the pursuit of transgressive cinema and boundary breaking epics this tome includes entries on The Story of O, Eyes Without A Face, Faceless, Nosferatu, Scream and Scream Again, Baron Blood, Lisa and the Devil and From Dusk Till Dawn. All in all one heady brew of eroticism and controversy.
- GenresFilm
192 pages, Paperback
First published October 1, 2000
About the author
Andy Black
9 books1 followerEditor of the Necronomicon book series and the Necronomicon presents book series, author of The Dead Walk (Noir Publishing), Ten Top Films of Leonardo DiCaprio and Ten Top Films of Oliver Reed (Glitter Books). Freelance contributor to Terrorizer, Shivers, Marquis, Men Only & Club International.
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Displaying 1 - 1 of 1 review
June 27, 2025
Various (Editor: Black, Andy) - Necronomicon Three
Following Vol 01 and 02, this shows a change of publisher, and two aspects are immediately apparent. The type is larger. Same amount of pages, but with larger type the word count will be less. In addition, many images are iffy. Several are so poor as to resemble Xerox copies. Lastly, the typos are off the scale. Where is the editor throughout?
Alright, the good stuff: Opening with a humorous interview with Brian Yunza (Necronomicon, The Dentist, Dagon, From Beyond, Re-Animator), who doesn’t take his output too seriously.
Back to back articles on Scream And Scream Again (stylistically all over the place), and Baron Blood (now on my list) and others.
“The Modern Fantastic” roves from Carpenter’s The Thing to Lynch’s Fire Walk With Me, studying both films in depth.
Editor Black offers a nice remembrance of Soledad Miranda.
Essay on Herzog’s Nosferatu will be a must for fans of the film or director. Likewise another chapter on Rodriguez’s From Dusk Till Dawn, with emphasis on colleague Tarantino.
As always with this collection, a few resemble overwritten college papers, fine for those who long for additional psychological explanations for their Slashers.
There is an excellent argument for Stivaletti’s Wax Mask, another one that passed below radar, both mine and the public’s it seems.
Should I mention Wicker Man, Eyes Without A Face, Faceless? Final chapters conclude another strong group of film essays.
Here’s hoping Black will rein in the typos by volume 4, and quality proof those images.
Following Vol 01 and 02, this shows a change of publisher, and two aspects are immediately apparent. The type is larger. Same amount of pages, but with larger type the word count will be less. In addition, many images are iffy. Several are so poor as to resemble Xerox copies. Lastly, the typos are off the scale. Where is the editor throughout?
Alright, the good stuff: Opening with a humorous interview with Brian Yunza (Necronomicon, The Dentist, Dagon, From Beyond, Re-Animator), who doesn’t take his output too seriously.
Back to back articles on Scream And Scream Again (stylistically all over the place), and Baron Blood (now on my list) and others.
“The Modern Fantastic” roves from Carpenter’s The Thing to Lynch’s Fire Walk With Me, studying both films in depth.
Editor Black offers a nice remembrance of Soledad Miranda.
Essay on Herzog’s Nosferatu will be a must for fans of the film or director. Likewise another chapter on Rodriguez’s From Dusk Till Dawn, with emphasis on colleague Tarantino.
As always with this collection, a few resemble overwritten college papers, fine for those who long for additional psychological explanations for their Slashers.
There is an excellent argument for Stivaletti’s Wax Mask, another one that passed below radar, both mine and the public’s it seems.
Should I mention Wicker Man, Eyes Without A Face, Faceless? Final chapters conclude another strong group of film essays.
Here’s hoping Black will rein in the typos by volume 4, and quality proof those images.
Displaying 1 - 1 of 1 review