Paul Cadmus's body of work is in large part an exaltation of the male nude. Oddly enough, the other part, better known and less controversial, is better known--or known at all--because it is controversial. It just happens that a painting subvented by the WPA, which depicts among other things a couple sailors at the dock getting feely, is the more likely to produce public outcry than is the drawn nude--not that there's anything damning in that OR the getting feely--hung in a private studio.
The drawings are really quite great. Davenport's writing, as always, is an impetus both to reading more Davenport and to writing well. Come for the Introduction. Stay for Cadmus.