This comprehensive history of the French cinema between World War I and the coming of sound focuses on the narrative film to question most of the received notions about the period, such as the supposed sharp split between avant-garde and commercial filmmakers. Available for the first time in paperback, the book provides a major reassessment of the forces operating in the French film industry in production, distribution, and exhibition and a thorough account of the rise of the alternative cinema network that grew up independently of the industry as a means of supporting avant-garde films.
In addition, the author presents a study of a previously unexplored topic—the development of the major narrative film genres—and a new working definition of the narrative avant-garde in the context of conventional film practice. This remarkable book analyzes nearly one hundred surviving prints (many previously unavailable to researchers).