Catching Butterflies: Bringing Magical Realism to Ground

by Maria Takolander

Magical realism was one of the most significant literary developments in the last century. It has become synonymous with the seductive fictions of writers such as Gabriel García Márquez, Salman Rushdie, Toni Morrison, Ben Okri, Jeanette Winterson and Peter Carey. However, the genre has also become known for its theoretical indeterminacy. In fact, exoticist speculation, inspired by the links between magical realist literature and the world’s cultural or political margins, has thrown the category into critical disrepute.
This book rescues magical realism from misreadings and misdemeanours, tracing the historical development of the literary genre and analysing an original spectrum of magical realist texts from Latin America, Africa, India, Canada, the US, the UK and Australia. It asks such questions How did magical realism come to take over the world? What is the nature of its allure? Also, how does the marginal status of its authors inform the genre? Does magical realism have a political agenda?
This book uses postcolonial theory to investigate notions of cultural identity and post-structural theory to examine the narrative strategies of magical realism, presenting a comprehensive historical and theoretical overview of the genre and a politically urgent argument about its subversive potentialities.

265 pages, Paperback

First published January 1, 2007

About the author

Maria Takolander was born in Melbourne in 1973 to Finnish parents. She is the author of three previous poetry collections, including Ghostly Subjects (Salt, 2009), which was shortlisted for the Judith Wright Calanthe Award. Her poetry appeared regularly in The Best Australian Poems and The Best Australian Poetry, and it has been widely anthologised nationally and internationally, including in Thirty Australian Poets (UQP, 2011). A program about Maria’s poetry aired on Radio National in 2015, and she has performed her poetry on ABC TV and at numerous festivals, including the 2017 Medellín International Poetry Festival in Colombia. She won the inaugural Australian Book Review Elizabeth Jolley Short Story Prize, and her short-story collection The Double (Text, 2013) was shortlisted for The Melbourne Prize for Literature Best Writing Award. Maria’s words can also be found on bronze plaques in the Geelong CBD and at the Royal Botanic Gardens Victoria.

Reviews

[Zohal · Rating 3 out of 5]

very interesting

[Loréna]

"the magical realist political message to practice skepticism in regards to hegemonic constructions of world history remains more pertinent than ever" yas queen