The Return of the Visible in British Romanticism

by William Galperin

From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema.

344 pages, Hardcover

First published May 1, 1993