Film Festival Yearbook 2: Film Festivals and Imagined Communities

Film Festival Yearbook

by Dina Iordanova (Editor), Ruby Cheung (Editor)

Film Festivals and Imagined Communities, the second volume in the Film Festival Yearbook series, brings together essays about festivals that use international cinema to mediate the creation of transnational imagined communities. There are texts about the cultural policies and funding models linked to these festivals, as well as analysis of programming practices linked to these often highly politicised events. The case studies discuss diaspora-linked festivals that take place in Vienna, San Francisco, San Sebastian, Havana, Bradford, Sahara, South Korea, and London and that feature cinema from places as diverse as Nepal and Kurdistan, Africa and Latin America. Authors include Lindiwe Dovey, Ruby Cheung, Michael Guillén, Jérôme Segal, Miriam Ross, Roy Stafford, Yun Mi Hwang, Isabel Santaolalla and Stefan Simanowitz, Mustafa Gundogdu, and Dina Iordanova. The Resources section features an up-to-date bibliography on film festival scholarship (by Skadi Loist and Marijke de Valck) and an extensive thematically-organised listing of a variety of transnational festivals.

306 pages, Paperback

First published May 1, 2010

About the author

Dina Iordanova is Professor of Film Studies, University of St Andrews,and author of Cinema of Flames: Balkan Film, Culture and the Media. She is a global traveller.

Her current book, a labour of love, was conceived during one of her many visits to Paris, where she has been returning all over again for more than two decades. Although she has not yet managed to relocate herself physically, she is moving in her heart and soul's direction, with short spells for time out in other favourite places, like Istanbul and Hong Kong. Originally from a cinéphile family, she first studied Philosophy before running away from theory to indulge her passion for Cinema. Dina is the author, co-author and editor of many works, including: BFI Companion to Russian and Eastern European Cinema (1999), Cinema of Flames (2001), Emir Kusturica (2002), Cinema of the Other Europe (2003), Cinema of the Balkans (2006), The Film Festival Circuit (2009), Cinema at the Periphery (2010), Moving People, Moving Images (2010), Film Festivals and Imagined Communities (2010), Film Festivals and East Asia (2011), Film Festivals and Activism (2012), Digital Disruption (2012), Film Festival Reader (2013), Film Festivals and the Middle East (2014) and of many articles and chapters. She is Professor of Film Studies, and Director of the Institute for Global Cinema and Creative Cultures at the ancient University of St Andrews in Scotland, where she established the Film Studies programme in 2004.