Having set aside age-old ways of mourning, how do people in the modern world cope with tragic loss? Using traditional mourning rituals as an instructive touchstone, Gail Holst-Warhaft explores the ways sorrow is managed in our own times and how mourning can be manipulated for social and political ends. Since ancient times political and religious authorities have been alert to the dangerously powerful effects of communal expressions of grief--while valuing mourning rites as a controlled outlet for emotion. But today grief is often seen as a psychological the bereaved are encouraged to seek counseling or take antidepressants. At the same time, we have witnessed some striking examples of manipulation of shared grief for political effect. One instance is the unprecedented concentration on recovery of the remains of Americans killed in the Vietnam War. In Buenos Aires the Mothers of the Disappeared forged the passion of their grief into a political weapon. Similarly the gay community in the United States, transformed by grief and rage, not only lobbied effectively for AIDS victims but channeled their emotions into fresh artistic expression. It might be argued that, in contrast to earlier cultures, modern society has largely abdicated its role in managing sorrow. But in The Cue for Passion we see that some communities, moved by the intensity of their grief, have utilized it to gain ground for their own agendas.
As well as being a poet, Gail Holst-Warhaft has been a journalist, broadcaster, prose-writer, academic, musician, and translator. She left Australia, in 1965 and moved to Greece. During the Greek dictatorship of 1967-74, she moved back to Australia, studying harpsichord and becoming a journalist. In the 1970’s, while researching a book on Greek music, she performed with Greece’s leading composers, including Mikis Theodorakis, Dionysis Savvopoulos, and Mariza Koch. Two books on Greek music followed. Later she began translating Modern Greek poetry and prose. Moving to Ithaca, New York, in 1980, she married, completed a Ph. D. in Comparative Literature and Classics and had a family. In the 1990’s, having joined the Institute for European Studies, Gail wrote two books on laments and grief and began publishing her own poetry. She founded a Mediterranean Studies Initiative and organized conferences, concerts and talks. On a trip to Greece in 2009, she became seriously concerned about the water crisis in many parts of the country. For the last eight years she has worked with faculty and students from a number of different departments to address water issues in the region.