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Zones of Chaos
Mick Farren is a legendary poet, musician, author, critic, activist, countercultural icon, and one of the last true gonzo journalists. Enter his paranoid, radical, drug-addled and excruciatingly beautiful world; go to jail during the L.A. Earthquake, meet Doc Holliday and take a ride in Diabolo's Cadillac. ZONES OF CHAOS is a maelstrom of poetry, prose, essays, lyrics, commentary, and fiction.
162 pages, Paperback
First published January 1, 2009
About the author
Mick Farren
71 books87 followersFarren was the singer with the proto-punk English band The Deviants between 1967 and 1969, releasing three albums. In 1970 he released the solo album Mona – The Carnivorous Circus which also featured Steve Peregrin Took, John Gustafson and Paul Buckmaster, before leaving the music business to concentrate on his writing.
In the mid-1970s, he briefly returned to music releasing the EP Screwed Up, album Vampires Stole My Lunch Money and single "Broken Statue". The album featured fellow NME journalist Chrissie Hynde and Dr. Feelgood guitarist Wilko Johnson.
He has sporadically returned to music, collaborating with Wayne Kramer on Who Shot You Dutch? and Death Tongue, Jack Lancaster on The Deathray Tapes and Andy Colquhoun on The Deviants albums Eating Jello With a Heated Fork and Dr. Crow.
Aside from his own work, he has provided lyrics for various musician friends over the years. He has collaborated with Lemmy, co-writing "Lost Johnny" for Hawkwind, and "Keep Us on the Road" and "Damage Case" for Motörhead. With Larry Wallis, he co-wrote "When's the Fun Begin?" for the Pink Fairies and several tracks on Wallis' solo album Death in a Guitar Afternoon. He provided lyrics for the Wayne Kramer single "Get Some" in the mid-1970s, and continued to work with and for him during the 1990s.
In the early 1970s he contributed to the UK Underground press such as the International Times, also establishing Nasty Tales which he successfully defended from an obscenity charge. He went on to write for the main stream New Musical Express, where he wrote the article The Titanic Sails At Dawn, an analysis of what he saw as the malaise afflicting then-contemporary rock music which described the conditions that subsequently gave rise to punk.
To date he has written 23 novels, including the Victor Renquist novels and the DNA Cowboys sequence. His prophetic 1989 novel The Armageddon Crazy deals with a post-2000 United States which is dominated by fundamentalists who dismantle the Constitution.
Farren has written 11 works of non-fiction, a number of biographical (including four on Elvis Presley), autobiographical and culture books (such as The Black Leather Jacket) and a plethora of poetry.
Since 2003, he has been a columnist for the weekly Los Angeles CityBeat.
Farren died at the age of 69 in 2013, after collapsing onstage while performing with the Deviants at the Borderline Club in London.
In the mid-1970s, he briefly returned to music releasing the EP Screwed Up, album Vampires Stole My Lunch Money and single "Broken Statue". The album featured fellow NME journalist Chrissie Hynde and Dr. Feelgood guitarist Wilko Johnson.
He has sporadically returned to music, collaborating with Wayne Kramer on Who Shot You Dutch? and Death Tongue, Jack Lancaster on The Deathray Tapes and Andy Colquhoun on The Deviants albums Eating Jello With a Heated Fork and Dr. Crow.
Aside from his own work, he has provided lyrics for various musician friends over the years. He has collaborated with Lemmy, co-writing "Lost Johnny" for Hawkwind, and "Keep Us on the Road" and "Damage Case" for Motörhead. With Larry Wallis, he co-wrote "When's the Fun Begin?" for the Pink Fairies and several tracks on Wallis' solo album Death in a Guitar Afternoon. He provided lyrics for the Wayne Kramer single "Get Some" in the mid-1970s, and continued to work with and for him during the 1990s.
In the early 1970s he contributed to the UK Underground press such as the International Times, also establishing Nasty Tales which he successfully defended from an obscenity charge. He went on to write for the main stream New Musical Express, where he wrote the article The Titanic Sails At Dawn, an analysis of what he saw as the malaise afflicting then-contemporary rock music which described the conditions that subsequently gave rise to punk.
To date he has written 23 novels, including the Victor Renquist novels and the DNA Cowboys sequence. His prophetic 1989 novel The Armageddon Crazy deals with a post-2000 United States which is dominated by fundamentalists who dismantle the Constitution.
Farren has written 11 works of non-fiction, a number of biographical (including four on Elvis Presley), autobiographical and culture books (such as The Black Leather Jacket) and a plethora of poetry.
Since 2003, he has been a columnist for the weekly Los Angeles CityBeat.
Farren died at the age of 69 in 2013, after collapsing onstage while performing with the Deviants at the Borderline Club in London.
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Displaying 1 - 1 of 1 review
July 29, 2010
Mick Farren is one of the unsung heroes of the modern "underground" - writer, musician, journalist, anarchist, prankster and unrepentant sinner. A godfather of punk and heavy metal, his bands have shaped the music of two generations - He has worked with The Deviants, The Pink Fairies, Hawkwind, Motorhead and many more. As a writer, his dystopian visions helped lay the groundwork for much of what we now expect of science fiction, yet always with a smirk and sense of humor often missing from most recent books and films.
In "Zones of Chaos", Farren throws down with a collection of prose and poetry (and even cartoons) with titles like "Vinnie wants to sell me Hitler's Brain", "The Aztec Calendar Just Ran Out" and "Just a Poor Dogpoet Who Finds Himself Locked Out Of The Cathouse".
"Zones" is an outwardly chaotic mixture of lyrical storytelling, but each piece in the book is a gem, strung together on a broken guitar string that changes quickly from a charming necklace to a garrote, and back again. In" Jailhouse Rock" he tells the tale of spending the Northridge Earthquake locked in the Van Nuys jail. The story, in seven short pages, has it all- drama, humor and biting social commentary. The poem "Anthropomorphism", a eulogy to cartoonist Edward Barker, is full of sweetness and anger, and "Envy" tears apart rock'n'roll idolatry in a mere hand full of words.
Farren is unafraid to show his roots and cultural references- reading his work is like watching a great poker player playing an open hand. No tricks, no secrets, no bluffs- just raw talent, well-honed skills and a lifetime of experience that tells him what to throw out, what to keep in, when to fold early, when to go all-in.
The great Michael Moorcock, in the introduction to "Zones" describes Farren's work best - "Mick Farren is an original. Read him and rage. Read him and laugh. Read him and weep. He still has more energy, more life and more creativity than most of those who have come after him. And He's still ahead of his own game. Doing what comes naturally. Cocking a snoot at convention. Telling it like it is. Living in a present made incandescent by his very existence. Showing just how good it is to be alive. "
In "Zones of Chaos", Farren throws down with a collection of prose and poetry (and even cartoons) with titles like "Vinnie wants to sell me Hitler's Brain", "The Aztec Calendar Just Ran Out" and "Just a Poor Dogpoet Who Finds Himself Locked Out Of The Cathouse".
"Zones" is an outwardly chaotic mixture of lyrical storytelling, but each piece in the book is a gem, strung together on a broken guitar string that changes quickly from a charming necklace to a garrote, and back again. In" Jailhouse Rock" he tells the tale of spending the Northridge Earthquake locked in the Van Nuys jail. The story, in seven short pages, has it all- drama, humor and biting social commentary. The poem "Anthropomorphism", a eulogy to cartoonist Edward Barker, is full of sweetness and anger, and "Envy" tears apart rock'n'roll idolatry in a mere hand full of words.
Farren is unafraid to show his roots and cultural references- reading his work is like watching a great poker player playing an open hand. No tricks, no secrets, no bluffs- just raw talent, well-honed skills and a lifetime of experience that tells him what to throw out, what to keep in, when to fold early, when to go all-in.
The great Michael Moorcock, in the introduction to "Zones" describes Farren's work best - "Mick Farren is an original. Read him and rage. Read him and laugh. Read him and weep. He still has more energy, more life and more creativity than most of those who have come after him. And He's still ahead of his own game. Doing what comes naturally. Cocking a snoot at convention. Telling it like it is. Living in a present made incandescent by his very existence. Showing just how good it is to be alive. "
Displaying 1 - 1 of 1 review