La Pintura en el Cine, el Cine en la Pintura

by José Luis Borau, Francisco Calvo Serraller (Foreword)

Con este libro se inicia una nueva colección en la que bajo el nombre Fahrenheit 451 pretendemos reunir todos aquellos textos relacionados o escritos sobre el cine y por gente del cine. Este volumen recoge los discursos de ingreso leídos por José Luis Borau en las Reales Academias de Bellas Artes de San Luis y de San Fernando y sus contestaciones correspondientes, aparte de un prólogo de Rafael Calvo Serraller.

188 pages, Paperback

First published January 1, 2003

About the author

José Luis Borau was a Spanish film director, producer, screenwriter, and writer, celebrated for his award-winning work including Leo. Born in Zaragoza, Borau began his career as a film critic before studying direction at the national film school IIEC. He directed shorts, commercials, and his first feature Brandy (1963), followed by Crimen de doble filo (1964). Borau co-founded the production company El Iman, producing significant films such as Mi querida señorita, Oscar-nominated for Best Foreign Language Film. His acclaimed Furtivos (1975) won the Golden Shell at San Sebastián, becoming emblematic of Spain’s political transition. Borau taught screenwriting at the national film school EOC, mentoring future Spanish filmmakers. He served as president of the Spanish Academy of Motion Picture Arts and Sciences (1994–1998) and was elected to the Real Academia Española. Known for navigating censorship and exploring complex social and political themes, his work combined personal vision with broader commentary. Borau’s career spanned decades, blending critical insight with commercial success, leaving a lasting mark on Spanish cinema through both his films and mentorship of emerging talent.