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我纷纷的情欲
“尤其静夜，我的情欲大，纷纷飘下……”
木心诗集《我纷纷的情欲》，依据木心晚年定稿，第一辑收入《我纷纷的情欲》《旷野一棵树》《咖啡评传》《致霍拉旭》《某次夜谭的末了几句》《恋史》等，第二辑收入《一些波斯诗》《金发·佛罗伦萨人》《雨后兰波》等，第三辑收入《论白夜》《冬旅新英格兰》《湖畔诗人》《以云为名的孩子》《海风N0.1》《海风N0.2》等，并配有作家影像等，首次出版时也已七十二岁，可见当年旧迹。
《我纷纷的情欲》这一百多首诗作，识家认为，重在“我”。什么意思呢？开始说“我”了。另有一些，从《歌词》到《渔村夜》等八篇，说“你”。这样一来，便知其与“魔毯”诸集“他”的不同。其中一首《杰克逊高地》，“不知原谅什么，诚觉世事尽可原谅”，如《从前慢》一样，已被民谣歌手吟唱着。
木心诗集《我纷纷的情欲》，依据木心晚年定稿，第一辑收入《我纷纷的情欲》《旷野一棵树》《咖啡评传》《致霍拉旭》《某次夜谭的末了几句》《恋史》等，第二辑收入《一些波斯诗》《金发·佛罗伦萨人》《雨后兰波》等，第三辑收入《论白夜》《冬旅新英格兰》《湖畔诗人》《以云为名的孩子》《海风N0.1》《海风N0.2》等，并配有作家影像等，首次出版时也已七十二岁，可见当年旧迹。
《我纷纷的情欲》这一百多首诗作，识家认为，重在“我”。什么意思呢？开始说“我”了。另有一些，从《歌词》到《渔村夜》等八篇，说“你”。这样一来，便知其与“魔毯”诸集“他”的不同。其中一首《杰克逊高地》，“不知原谅什么，诚觉世事尽可原谅”，如《从前慢》一样，已被民谣歌手吟唱着。
240 pages, Hardcover
Published May 1, 2020
6 people are currently reading
15 people want to read
About the author
Mu Xin
33 books25 followersMu Xin (1927-2011) was the pen name of a renowned Chinese diasporan writer and artist who once lived in the New York area. Mu Xin was born in Wuzhen, South China, into a wealthy aristocratic family with business interests in Shanghai. He was among the last generation to receive a classical education in the literati tradition, but he was also exposed through voluminous reading to the highest achievements of Western art and culture.
From 1947 to 1949, Mu Xin attended Shanghai Institute of the Arts. From 1949 until 1982, when he came to the United States, MuXin lived in China. Although he wrote profusely in that period, all of his earlier manuscripts were confiscated and destroyed during the Cultural Revolution. Since 1982, MuXin published twelve books of fiction, prose, and poetry (in Chinese) and contributed to literary columns in Chinese journals and newspapers outside the PRC. Among the Chinese diaspora, MuXin’s works have attracted an intense following.
Few Chinese writers in modern history have as firm a mastery of the Chinese cultural and linguistic heritage as MuXin did. Innovatively combining fiction, sanwen (a Chinese genre which blends characteristics of the essay, fiction, and poetry), and philosophical reflections, MuXin’s writing is both profoundly Chinese and reminiscent of the internalization and unconventionality of Western modern masters. In addition to his literary accomplishments, MuXin was also a well recognized artist whose paintings are preserved, among other places, at Yale University and Harvard University Art Galleries.
From 1947 to 1949, Mu Xin attended Shanghai Institute of the Arts. From 1949 until 1982, when he came to the United States, MuXin lived in China. Although he wrote profusely in that period, all of his earlier manuscripts were confiscated and destroyed during the Cultural Revolution. Since 1982, MuXin published twelve books of fiction, prose, and poetry (in Chinese) and contributed to literary columns in Chinese journals and newspapers outside the PRC. Among the Chinese diaspora, MuXin’s works have attracted an intense following.
Few Chinese writers in modern history have as firm a mastery of the Chinese cultural and linguistic heritage as MuXin did. Innovatively combining fiction, sanwen (a Chinese genre which blends characteristics of the essay, fiction, and poetry), and philosophical reflections, MuXin’s writing is both profoundly Chinese and reminiscent of the internalization and unconventionality of Western modern masters. In addition to his literary accomplishments, MuXin was also a well recognized artist whose paintings are preserved, among other places, at Yale University and Harvard University Art Galleries.
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Displaying 1 - 2 of 2 reviews
July 23, 2025
读到180页之后有一些喜欢的片段，但前面真的有好多欧洲国家名，让人觉得好难读哦，有能读懂的段落好像我也不是很喜欢//早年看的，2024年给男作者改低分
February 27, 2021
「香甜的無神論者」
Displaying 1 - 2 of 2 reviews