Taking the absurd as the point of rupture between art, society and observation, this 1,152-page volume features Beuys, Duchamp, Kippenberger, Magritte, Meese, Nauman, Oppenheim, Picabia, Polke, Man Ray, Dieter Roth, Schwitters, Trockel, Franz West and others.
Jan Hoet was a prominent Belgian art curator and museum director, widely regarded as one of the most influential figures in contemporary art in Belgium and beyond during the late 20th and early 21st centuries.