The Science Of Acting

by Sam Kogan, Helen Kogan

What is good acting? How does one create believable characters? In "The Science of Acting", Sam Kogan applies his theories and teaching to answering these questions. It represents a comprehensive and complete technique applying neuroscience and psychology to the role of acting. At its heart lies a unique and groundbreaking understanding of the subconscious, as well as an unparalleled insight into, and expansion of, Stanislavskis original Russian teaching.The book includes chapters on Awareness, Purposes, Events, Actions, Imagination, Free Body, Tempo-Rhythm, and Laws of Thinking, culminating in the Ten Steps to Creating a Character. In addition to providing practical exercises to develop skill and definitions to clarify difficult terminology, it is a simple and original step-by-step guide to creating a character and to developing an actors ability. In examining life and its recreation on stage, "The Science of Acting" is a study of human behavior and its application to acting which no actor or student of acting should be without.

296 pages, Paperback

First published January 1, 2009

Reviews

[Bhupinder Singh · Rating 5 out of 5]

One of the best books on acting and life. It draws deep into why we behave in a certain way in certain situations. How can we replicate behaviour which we want from the core of our being and not come across as a caricature. I read this book around 3 years back, I was able to grasp the meaning at first but execution was difficult. But now I'm more aware of the mechanics of my own emotions and thoughts, now I'm certainly finding the information more useful.

[Bogdi · Rating 5 out of 5]

I read the book after taking a class based on the technique, which class I enjoyed a lot. It's a very down to earth, no frills take on acting, based on practical introspection and self-observation without navel gazing. The premise is that you need to know your own psychological and physical limitations and then work on them in order to become an efficient actor. Obviously, this approach is useful beyond stage acting.