The Short Fiction of Ambrose Bierce 3: A Comprehensive Edition

by Ambrose Bierce, Lawrence I. Berkove (Editor), David E. Schultz (Editor)

Ambrose Bierce (1842–1914?) has been a widely read, often controversial, author for more than a hundred years, but until now there has been no exhaustive collection of his short fiction. This new edition, both comprehensive and chronological, reveals the broad range of fiction that Bierce mastered. Readers who expect to find only a writer of grim and shocking stories of war and other horrors will discover that he excelled at other types of tales—humorous, mystical, Gothic, satirical, sentimental, mystery, science fiction, and even love stories. This collection gives readers the opportunity to observe the growth of characteristic themes and techniques in Bierce’s short fiction. A number of the early sketches evidence both the thoughtful moral focus and the technical brilliance of his best work, and here they also can be seen as training exercises for the young writer on his way to the better-known stories of his artistic peak.Although several previous books purport to provide accurate collections of Bierce’s work, none does more than uncritically re-assemble the tales in the heretofore standard Collected Works (1909-1912). This edition will be the new standard. It is the first to include all his known and rediscovered short fiction. Of the 249 items collected in this edition, 1 story (“Alasper”) is unpublished, 58 have not been previously reprinted from the newspapers and magazines in which they originally appeared, and 74 have not been reprinted since their appearance in Bierce’s early volumes. It is also the only edition to be based upon consultation of manuscripts and early printed sources. As a result, textual corrections have been made to some of Bierce’s stories, including two of his best known.Volume III covers the years 1895 to 1910 and includes more than 70 pieces, with “Moxon’s Master,” “Beyond the Wall,” and “The Eyes of a Panther.”A model of careful scholarship, this edition includes selected textual variants, a bibliography of all appearances of the story in Bierce’s lifetime, introductory comments and extensive annotations that provide biographical and other background information, and citations to important works of criticism.

368 pages, cloth

First published September 15, 2006

About the author

died perhaps 1914

Caustic wit and a strong sense of horror mark works, including In the Midst of Life (1891-1892) and The Devil's Dictionary (1906), of American writer Ambrose Gwinett Bierce.

People today best know this editorialist, journalist, and fabulist for his short story, An Occurrence at Owl Creek Bridge and his lexicon.

The informative sardonic view of human nature alongside his vehemence as a critic with his motto, "nothing matters," earned him the nickname "Bitter Bierce."

People knew Bierce despite his reputation as a searing critic, however, to encourage younger poet George Sterling and fiction author W.C. Morrow.

Bierce employed a distinctive style especially in his stories. This style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, the theme of war, and impossible events.

Bierce disappeared in December 1913 at the age of 71 years. People think that he traveled to Mexico to gain a firsthand perspective on ongoing revolution of that country.

Theories abound on a mystery, ultimate fate of Bierce. He in one of his final letters stated: "Good-bye. If you hear of my being stood up against a Mexican stone wall and shot to rags, please know that I think it is a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs. To be a Gringo in Mexico--ah, that is euthanasia!"